Word: woman
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Dates: during 1970-1979
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...seems to have enjoyed himself. There was a lunch in New York with the Empress of Iran where he was somewhat disturbed by a University of Wisconsin school newspaper reporter screaming "Liar!" when the woman spoke, but he was reassured by her screne highness's "sincerity and grace under pressure" as the unfortunate heckler was dragged away by Iranian security guards...
Till now Diane Keaton has been able to wander down a Manhattan street with out drawing more than an occasional half-suspicious stare. She lets herself be kept waiting for two hours in a Southern California beach restaurant because the maitre d' cannot imagine that this tall, apologetic young woman in sunglasses and floppy clothes is someone who might merit his attention...
Both Brooks and Keaton were concerned about the sex scenes. The basic question was simple: Could she do them? They had to be done nude. Keaton is a woman who hides imagined flaws behind high collars and long sleeves...
Brooks and Keaton changed the character of Theresa perceptibly. Author Rossner described a chilly, rather unpleasant woman, and Keaton's Theresa is likable and warm, especially in her relationship with her sister, played by Tuesday Weld. So questions arise. Is Theresa too solid to be believable later as the victim of her own alienation? Does the humor she shows reflect too much sanity? Worse, does it reflect too much Annie Hall...
...narrated before events in The Breast begin). But the reader's knowledge of the surrealistic enchantment that awaits Kepesh lends a poignancy to his struggles. Try as he may to be good, flesh will subsume him at last. At the end of his narrative, Kepesh nuzzles the good woman whom he loves to the point of boredom and worries about "my fear of transformations yet to come...