Word: woman
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Dates: during 1970-1979
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Since would-be women executives cannot arrange to be born the only children of fathers who treat them like boys, The Managerial Woman offers some advice, which amounts to learning to play the game...
...Manhattan-based Christian Dior executive, is that "women are basically sick and tired of looking like men. Clothes have been so ungodly tailored." According to Designer Caulfield, the new look's popularity has a lot to do with the financial side of women's lib. "A working woman can afford to buy herself a $40 camisole, and she will reward herself with one." The look is also a symbol of today's more open sexuality, Caulfield maintains. "When a young woman gets dressed in the morning, she doesn't know where she's going...
...batch of mail touched on the widely contrasting aspects of his life -appealing to the simple pastor as well as to the clerical entrepreneur. There was a letter from Cardinal Franz Koenig of Vienna congratulating Hesburgh on his recent elevation to the chairmanship of the Rockefeller Foundation. A woman friend in terrible emotional trouble begged for help. Teddy Kollek, the mayor of Jerusalem, wanted Hesburgh to fly over and help stop the rapid development of high-rise buildings. There was a hopeful note from the freshman class asking if Hesburgh would attend their formal dance. Another letter told him that...
...that reckons without the third woman (Janice Rule), a painter of weird murals and wife of the sometime stunt man who owns the apartment house where the others live and the tumbledown roadhouse where they drink. Her work, her silences and solitude, more obviously-and less interestingly-symbolize a sterility similar to that of the younger women. In the end, the women dispose of the stunt man (who has had all three of them) and are seen to be forming a sort of feminine trinity -mother, daughter and granddaughter. They seem at once mad and serene. Maybe Altman is exorcising...
...venture, domiciled in Trenton, N.J., does not start out as a foursome. Wally (James Naughton), a public relations man with a sweet tooth for talk, exhorts his shy furniture-mover friend Alvin (Lenny Baker) to spice up his "mutual love experience" by moving an added woman into his marital chamber. Wally's personal idea of fulfillment is to appropriate Alvin's wife Cleo (Ilene Graff). Alvin, who sometimes makes Buster Keaton seem voluble, gulps, but broaches the proposal to Cleo...