Word: woman
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Dates: during 1970-1979
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...getting a woman who somewhere along the line misplaced whatever slight faith she ever had in the social contract, in the meliorative principle, in the whole grand pattern of human endeavor...
Lorde's unpublished poem "Need", which addressed the supposed need of men to hurt women, drove home the fears and concerns of the audience. The poet based her devastating work on the true case of a Detroit woman who, while auditioning for a role in a play, was killed with a sledgehammer by its young black author during an argument scene--before the eyes of her four-year-old son. In its final, eloquently angry moment, Lorde repeated the plea and statement, "We cannot live without our lives...
...poetry of Audre Lorde demonstrated the lucid insight of a woman who is able to step back from her situation and observe--but never for too long. Because she, too, is black, feminist, lesbian, and intellectual, her consciousness and anger toward her everyday struggles and those of people like her are always at a high level. As reflected in her poetry, this awareness shocks, devastates, and clears the way for a new order of thought and action in a way the evening news cannot rival...
Poet Adrienne Rich pickes up this thread and continued with a series of her works from 1964 to 1978 examining "violence, complicity, refusal to complicity, and resistance, from a woman...
...fighter finally gets a big match mostly because he and his owner are so cute and publicizable when they scream at each other in the ring. This leads to the movie's nadir, a training camp sequence in which we are asked to believe that a competent, liberated woman of our time would passively accept living quarters in an open dormitory populated entirely by the fighter's all-male staff. Streisand is, if anything, less attractive when she goes all cute and kittenish than when she is being strident and pushy...