Word: woman
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Dates: during 1970-1979
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...trial of the century "ends in his acquittal ill the foreman please stand," said an official of the court. A gray-haired woman, dressed in a blue suit, rose to her feet. "What say you?" inquired the official, reading the first charge, conspiracy to murder. "Not guilty," she replied. There was a stir in Courtroom No. 1 of London's Old Bailey that was immediately hushed by cries of "Silence!" The official continued by asking the verdict for all four defendants. Each time the reply was "Not guilty." Then the official asked for a second verdict, to the charge...
P.C.I, deputy and longtime companion of legendary Communist Leader Palmiro Togliatti; she thus became the first woman president of a parliamentary assembly in Italy's history. By giving up his lofty parliamentary post, Ingrao would be better able to descend into the arena of party politics and head an anti-Berlinguer faction. Considered one of the party's deepest thinkers, Ingrao is at the center of a "cerebral" faction that advocates a thorough overhaul of Communist strategy based on a careful re-examination of the party's strengths and objectives. Ingrao and his followers seek to reunify...
...that she was unqualified to administer the state's 255 courts and 2,000 judgeships or to make significant legal decisions. Her opponents charged that Bird, who served as agriculture and services secretary in Brown's cabinet, was named to the position only because she was a woman and had long-time political ties with the Governor...
...poets: having something to say and saying it well. Ullman stakes a claim on the borderline between the real and the imagined. Her people, mostly women waiting for something or someone, are mercurial consciousnesses flowing smoothly from past to future or recording temperatures that have not yet occurred. One woman preens in a room, anticipating the man who is to meet her, smiling at herself as he might. Conclusion is anticlimax...
...which convey the film's content and message in a cinematic way. Accordingly, Interiors marks the crucial point in Allen's directorial evolution, expressing much of the script's meaning through purely auditory/visual means instead of via dramatic situations, mise-en-scene, dialogue and acting. Like Chaplin (in A Woman of Paris ), Allen, too, decided not to participate as an actor in Interiors, a decision which permitted him to concentrate on directing the film. In a further parallel, while Chaplin appropriated certain stylistic features of the "Lubitsch Touch," Allen conceived his film as an homage to Ingmar Bergman...