Word: womanhood
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Dates: during 1980-1989
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...innocence is a rapidly disappearing commodity in Jeanne Morreau's film L' Adolescente (The Adolescent). The threatening image of war flickers in the background of the film, set during the summer of 1939 in France, as Marie (Laetitia Chauveau) undergoes her monumental transition to womanhood...
...matter how hard you try to maintain yourself and some degree of independence and self-respect, the daily process eats away your spirit. I have always thought of myself as a pretty strong and open woman, but this joint has taken some of my gentleness, some of my womanhood. Kitsi, I'm not the same warm person I remember myself to be. I find myself withdrawing from people in here-and even though I know it's a natural reaction, I know it will affect the way I relate to people, especially my own children, outside. I feel...
...Johnson to Boswell: "Men know that women are an overmatch for them") now sounds more like a neat way of undercutting a woman with awe. James Thurber, invited to talk to the graduating class of Mount Holyoke College in 1949 ("The idea of addressing the flower of American womanhood would terrify me even if I could see"), declined by invoking a story about a World War I soldier who, peering down into a bottomless enemy trench, allowed that "I wouldn't go down there even if they was Fig Newtons down there." The cookie does not crumble that...
...fierce, early rhetoric of the women's movement boggled many of the same women it should have enlightened. Instead of challenging women who had made lives of substance and happiness with husbands and children, it put them on the defensive, made them think they had betrayed not only their womanhood but their selfhood as well. There was a self-righteousness among feminists that kept all kinds of potential recruits away. Emily Anne Smith, the second female designer-builder in Atlanta's history, recalls, "When the women's movement came along, I was involved in what I wanted for me. Then...
...Helen, the situation is deeply unsettling. She is very pretty (unlike the real Helen) and close to John in age. The nearness of a man in the house has been a spring awakening to her womanhood. So much so, that she and John are almost con-initiators of a seduction scene. When leaves for good, he seems like a strange interlude in both women's lives. In a final tableau, Annie and Helen stand on a darkening stage, their white ankle-length dresses wrapped around them like sails whipped by the wind, knowing that the only safe harbor lies...