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Word: womaning (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...aboard Pan American's jet-powered Boeing 707 chartered for the press. The cost for transportation and hotels would be $4,000 per traveler, and a letter of application would be considered a contract for that amount. After this announcement, applications dwindled magically to 83 men and one woman, Elaine Shepard of Prentice-Hall (school books, trade publications), as nonworking applicants who were just going along for the ride dropped out and big agencies and publications cut their lists...

Author: /time Magazine | Title: The Press: Battle Orders | 12/14/1959 | See Source »

...Early morning in the universe," says Narrator Kerouac at the outset, by way of scene setting. On the screen, a beautiful but weary woman opens the shutters of her pad. (She is played by Delphine Youngerman, who calls herself Beltiane.) Outside is Manhattan's Bowery; inside are her little boy and, hung on a chair, her absent husband's "tortured socks...

Author: /time Magazine | Title: ENDSVILLE: Zen-Hur | 12/14/1959 | See Source »

...kept another date, showed up for a guest appearance on the Jack Paar Show, now visiting Hollywood. Jack, amiably bringing to mind Mickey's previous four marriages, asked: "What was Ava Gardner really like?" Replied Mickey: "Well, Mr. Paar, may I say this, she is more woman than you will ever know...

Author: /time Magazine | Title: HOLLYWOOD: Slipped Mickey | 12/14/1959 | See Source »

...hill-they come together out of loneliness, are at first trivially autobiographical, then more and more confidingly so. They have a drink with newlyweds, look back on marriage that has come to grief, resist pity and show twinges of self-pity, talk of love and resist sex. The woman, it turns out, has an unfaithful husband; the man has a wife he played a part in driving insane. In the end after they have made love, she goes back to her husband and he has a flicker of hope for his wife...

Author: /time Magazine | Title: The Theater: New Plays on Broadway, Dec. 14, 1959 | 12/14/1959 | See Source »

...that they are a most ordinary looking lot, as the most complex individuals. But here, the actors make an effort to keep their characterizations on the proletarian level called for in the script. One believes that Valentina Telegina (who looks, incidentally, like a peasant mother symbol) is an uncomplicated woman devoted to her family and not bothered by the "greater things" taking place around...

Author: By Alice E. Kinzler, | Title: The House I Live In | 12/7/1959 | See Source »

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