Word: womanize
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Dates: during 1990-1999
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...woman called the Cambridge Police Department (CPD) at 10:45 p.m. to report that a juvenile male was constantly entering her yard and jumping on a trampoline. The juvenile was warned by the CPD and signs were posted...
...chanting at the radio, people took the pauses between songs as opportunities to shout at Lou and Jason. Answering sometimes, Jason finally stated dryly, "Alright, people from Boston shouting." But like an irreverent monster beyond anyone's control, the crowd heaved and surged until finally it produced a young woman, who perched on the shoulders of someone near the front. Throwing both her shirt and bra at Lou, she crowd surfed until she was dropped, then clamored up onto the stage to get a little closer. As an answer to this event, Jason sang "I'm going...
...chanting at the radio, people took the pauses between songs as opportunities to shout at Lou and Jason. Answering sometimes, Jason finally stated dryly, "Alright, people from Boston shouting." But like an irreverent monster beyond anyone's control, the crowd heaved and surged until finally it produced a young woman, who perched on the shoulders of someone near the front. Throwing both her shirt and bra at Lou, she crowd surfed until she was dropped, then clamored up onto the stage to get a little closer. As an answer to this event, Jason sang "I'm going...
...pillow whose filigreed embroideries of butterflies merge with the platinum waves of her hair, Bouban's marmoreal face achieves the vacuity of expression associated with mannequins or dolls. Her smooth skin seems carved out of soap. But Wols's depiction is more than a trite objectification of a woman's face. Though she is reclining, this is not an image of repose. He effects the same response as that engendered in his self-portraits: the image is impossible to penetrate. Aside from the details of her features, one cannot learn anything about her; her expression resists psychological classification...
...pillow whose filigreed embroideries of butterflies merge with the platinum waves of her hair, Bouban's marmoreal face achieves the vacuity of expression associated with mannequins or dolls. Her smooth skin seems carved out of soap. But Wols's depiction is more than a trite objectification of a woman's face. Though she is reclining, this is not an image of repose. He effects the same response as that engendered in his self-portraits: the image is impossible to penetrate. Aside from the details of her features, one cannot learn anything about her; her expression resists psychological classification...