Word: womanizer
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Dates: during 1960-1969
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WEDNESDAY NIGHT MOVIE (ABC, 9-11 p.m.). The sentimental story of A Man and a Woman (1966), which received an Academy Award thanks to Director Claude Lelouch's deft use of cinematic tricks to compose some of filmdom's most stylish scenes...
...trilogy of strange human relation ships, Night Gallery, each tale focuses on a painting and the people involved with it. The first picture is of a tortured Jew in a concentration camp; Richard Kiley stars as an ex-Nazi. The second features Joan Crawford as an art-collecting blind woman who will do anything for a few hours of sight. The last painting shows first one, then several open graves, after Roddy McDowall decides to hurry the death of his rich uncle...
...WATERFALL, by Margaret Drabble. The author's finest novel is a superb audit of the profits and losses of love for a woman threatening to destroy herself...
...woman on a train is brought to realize the emptiness of her married life through confrontation with two old spinsters-once childhood friends. Each of the three is bringing home dead or dying relatives. Cornelia is excluded from her accustomed level of Memphis society because her husband is Jewish; she has no children. In parting Cornelia says to one spinster, "I suppose you'll be met by a hearse . . . and Patty will be met by an ambulance-and I'll be met by Jake." This sentence "was one of those sentences Cornelia began without knowing how it would...
...people think, the complexion of their blushes and disfigurations, the houses they decorate-these are the things Mr. Taylor's stories are about. Included in the complex stories is a subtle description of black-white relations in the thirties, forties, and fifties: as in the narration of a "fancy woman's" concern for what the kitchen help think of her when she visits a rich gentleman's house for a week. Or "A Wife of Nashville's" relations with her cooks. Or the bitter introversion of old Aunt Munsie: a one-time slave, she comes to realize that...