Word: womanizers
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Dates: during 1960-1969
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...shouting its approval and clapping along, the buskers put on the biggest one-night pitch in their his tory. Partridge himself sang Rosie and his latest single, Breakfast on Pluto. As much of a hit was the grande dame of busking's elder set: a round, waddling littie woman of 54 known only as Meg, who sang Danny Boy in a round, waddling contralto. Said she: "I only sing classical." The Spoonies, two stubble-chinned men in their 60s named Scottie and Georgie, clattered through Waltzing Matilda, one whacking a banjo, the other clicking two bent dessert spoons like...
...femininity, he pursues Solange Dandillot, a pretty and reassuringly placid young thing from the Parisian upper middle class. At first she is just right for him, pliant and emotionally phlegmatic. But soon a monster, which Costals calls the Hippogriff, begins to stir in her. In short, she becomes a woman who wants to get married. To that end, she willingly suffers every humiliation that Costals can devise for her, including the signing of a false letter admitting adultery in the marriage-to-be (giving Costals legal grounds for divorce) and agreeing to have an abortion performed should she become pregnant...
...jilts the pachyderm before the playlet begins in favor of the more renowned Eve. After all, Eve has her points. As played by Leesa Freedman, Eve tends to do a bump and a grind when a mere bump would suffice. Nevertheless, she's an amusing sharp-tongued every-woman, who insists that her husband stand up to God like a man. And Eve favors hiding after the apple because "God is love and love is blind...
...good? Dear World's new first act, even though substantially different from the original, got just as bad, if not worse, audience reaction. The critics had criticized the musical's shortchanging of the serious aspects of the play from which it had been adapted, Jean Giraudoux's Mad-woman of Chaillot. Apparently the authors took this prevalent criticism so seriously that they decided to drown the first act with eerie, sur-realistic doom. The audience was bored and dumbfounded, particularly considering the fact that the unchanged second act had a light, humorous tone...
...woman reportedly at one time worked as a research secretary at Harvard and in a similar capacity for other concerns in the Boston area...