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Word: womanizers (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...Should all this effort be expended in pursuit of a better way to expose a woman's navel...

Author: /time Magazine | Title: Modern Living: In the Eye of the Beholder | 6/21/1968 | See Source »

...play gives it emotive depth. As Hogan, W. B. Brydon is a raffish, truculent blend of peasant guile and blather, while Mitchell Ryan's sodden, dandyish Jim Tyrone is a tarnished peacock straight from Old Broadway. Salome Jens, with hoydenish charm, discloses the vulnerable waif inside the intimidating woman. Director Theodore Mann has sensitively staged the play in fidelity to O'Neill's intent: Moon does not brighten the sky, but mirrors itself in melancholy fragments on a swelling sea of sorrow...

Author: /time Magazine | Title: Old Plays: A Moon for the Misbegotten | 6/21/1968 | See Source »

...emotional cripple. Phil Hogan is "misbegotten" because his spirit is as mean and flinty as the rocky Connecticut land he farms. His daughter Josie is "misbegotten" because she weighs 180 Ibs., stands 5 ft. 11 in., and is, in her own eyes, "a big, rough, ugly cow of a woman." A virgin who shams wantonness, Josie is wildly in love with Landlord Jim Tyrone Jr., a dead soul embalmed in alcohol. Tyrone is, of course, another portrayal of O'Neill's elder brother who also appears in Long Day's Journey Into Night...

Author: /time Magazine | Title: Old Plays: A Moon for the Misbegotten | 6/21/1968 | See Source »

...there until her father appears with witnesses. The scheme backfires in a tender, boozy nightlong sharing of longings and confidences. Jim falls asleep, little-boy-fashion, with his head in Josie's lap, but not before revealing that there is room in his spent life for only one woman, his dead mother. Dawn finds him, the father and the daughter locked again in separate dooms...

Author: /time Magazine | Title: Old Plays: A Moon for the Misbegotten | 6/21/1968 | See Source »

...even his most devoted fans can be as fascinated with Godard as Godard is with himself. His segment shows him behind a camera, droning on about an inspiration he had to demonstrate the war's bestiality. He planned to photograph a woman's nude body, then show what the impact of bullets would do to it. The project was abandoned, he claims, because it required too much research. "I'm full of ideas," Godard concludes, "but ideas aren't much...

Author: /time Magazine | Title: Cinema: Far from Viet Nam and Green Berets | 6/21/1968 | See Source »

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