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Word: womanizers (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...eight pairs of lips; he adds for good measure six oranges, three cigarettes, two radios, two pop bottles, one toilet seat, one hero sandwich, one glass of milk, one Volkswagen and one lemon. Altogether, the lot amply illustrates that, as Director Jan van der Marck observes, "Wesselmann shows woman as the consumer, both consuming and being consumed...

Author: /time Magazine | Title: Painting: The Great American Nude | 6/14/1968 | See Source »

...Rafer! Hold him! We don't want another Oswald! Hold him, Rafer . . . The Senator is on the ground! He's bleeding profusely . . . The ambulance has been called for, and this is a terrible thing! . . . Ethel Kennedy is standing by. She is calm, a woman with a tremendous amount of presence . . . The shock is so great my mouth is dry . . . We are shaking as is everyone else. I do not know if the Senator is dead or if he is alive...

Author: /time Magazine | Title: Newscasting: What Was Going On | 6/14/1968 | See Source »

...also is a good day to visit Memorial Church, which was dedicated to those Harvard men who died in the first world war. Listen for the bell, which bears the inscription "In Memoray of Voices that are Hushed." Pause before the fallen knight of The Sacrifice, a grieving woman at his head. See engraved the names of Eliot Adams Chapin and 372 other Harvard men who died to make the world safe for democracy. Think of Vietnam and the Class of '68 and tomorrow...

Author: By James R. Beniger, | Title: Many Problems Confronted The Class of '18 | 6/11/1968 | See Source »

...25th Reunion is the quintessential alumni affair. One woman, a member of the Hospitality Committee, said, "Some people go to Harvard just so they can go to their 25th Reunion...

Author: By James K. Glassman, | Title: Class of '43 Comes Home Again | 6/10/1968 | See Source »

...portraits are combined in one small galery and geometric and cubist styles of all kinds are grouped in another. Dissimilarities are exploited as well. For example in the juxtaposition of Nicholaes de Stael's violent, angular Reclining Blue Nude on a Red Background and Jean Fautrier's The Gentle Woman, which is cool, liquid, and soft as an oyster...

Author: By Betsy Nadas, | Title: Painting in France 1900-1967 | 6/10/1968 | See Source »

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