Word: womanizers
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Dates: during 1960-1969
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...jury of eleven men and one woman deliberated a little more than an hour yesterday afternoon before returning its verdict...
...impression that the world is moving, not the frame. When the plane lands and the crowds breaks into a run, becoming suddenly much more distant, it's impossible to tell whether the camera or the people have moved. All we're sure of is the shining face of a woman pushing through a crowd, speaking the nonsense announcers spin out when they've nothing to say, hunting for a man whose location and identity are in question. Instead of defining the situation, showing us clearly the setting and order of the action, the shot affects us while explaining nothing...
...woman tenant claimed that "this looks like a different place altogether. You kids are just great...
...gentleman offered to put up three marchers in his studio apartment, and the woman countered, "How about six?" And though everyone is anxious for the commune effect. there is an unconvincing cardboard sign on a door to the rear, warning "Staff Only!" Behind this door are two more doors, one labelled "Special Staff Only...
...inventiveness gives the film a flavor unique in Ophuls. In general his heavily decorated background settings and firmly placed foreground objects delimit an empty mid-ground where his characters move. Despite his fluid camera motions this spatial plan often imposes upon his characters, notably in Letter from an Unknown Woman and Lola Montes. The introduction of La Ronde tells us that we are in a studio and, after showing us the artificiality of the lighting and sets, invites us to accept them for their beauty, for the pleasant romance of the drama and its trappings. The first episode continues this...