Word: womanizers
(lookup in dictionary)
(lookup stats)
Dates: during 1980-1989
Sort By: most recent first
(reverse)
...script is almost clinically clear about why the Marquise de Merteuil (Annette Bening) and the Vicomte de Valmont (Colin Firth) embark on a campaign to debauch a 15-year-old virgin, Cecile de Volanges (Fairuza Balk). The older woman is gripped by temporary insanity because she loves the man who intends to marry the adolescent. The vicomte too has his excuses. He is possessed by a passionate nature, the ill effects of which, it is implied, are also temporary. Give the kid some time, and he will probably turn out to be an admirable citizen. Indeed, his second amorous campaign...
...film's center lies in the bond between Julia Roberts as the young woman serenely accepting the risk of childbirth and Sally Field as her tightly wound mother, wanting to scream warnings at her daughter but only able to whisper despairing support for her -- right through the final coma. Their characters are fully and finely realized, and their work is supported, not subverted, by the style and mood of a film that cries more easily, and more persuasively, than it laughs...
...characters says, "To be one woman, truly, wholly, is to be all women. Tend one garden and you will birth worlds." A garden requires discipline to tend it. It needs flexibility, stamina. I think I was also talking about the garden as being a metaphor for art, a life well lived...
Stieglitz finally married his mistress in 1924. But several years later, he became infatuated with a younger woman. A series of domestic and professional skirmishes followed; O'Keeffe suffered a breakdown and stopped painting. It was two years before she saw a way out: "If I can keep my courage and leave Stieglitz," she told a friend, "I plan to go West...
...interpreter of bleached bone and sand and light -- light all around. O'Keeffe lived to be 98 and became the '60s and '70s apotheosis of feminine independence. But she was never quite so leathery as she appeared. Robinson's final chapters suggest a Tennessee Williams scenario, with an old woman smitten and exploited by her handsome protege, ceramist Juan Hamilton. Over the family's protests, Hamilton manipulated the painter's affairs until her death in 1986. He was eventually awarded 24 paintings and her house...