Word: womanizes
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Dates: during 1990-1999
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...often over-dramatic and one-sided, the poem as a whole attempts to reconstruct without decoration or artifice the story of a bypassed heroine. Delicate Homeric fingers of rosy dawn definitely don't reach up to sooth the reader's discerning aesthetic; instead, Murray evocatively and sympathetically describes a woman's life that was far from beautiful. Rejecting the traditional epic techniques of plot momentum and beautiful characters, Murray creates an entirely new form of epic poetry by focusing instead upon the hopelessness of an aging woman's attempts to revitalize her downward spiraling life...
Kathy Bates, Primary Colors: In this grossly underrated film, Bates turned "Dustbuster Libby," the advisor to Travolta's Clinton into a heartbreaking portrayal of a woman who simply loses her faith in the man she once believed would and could do anything. Bates won for Misery, but here she's even better...
According to an advisory sent to House affiliates, an unidentified man and woman in a car drove up beside the Pforzheimer resident--who has asked to remain anonymous. The two offered the student cash in return for accompanying them to a local bank to authenticate a large sum of found money...
...chanting at the radio, people took the pauses between songs as opportunities to shout at Lou and Jason. Answering sometimes, Jason finally stated dryly, "Alright, people from Boston shouting." But like an irreverent monster beyond anyone's control, the crowd heaved and surged until finally it produced a young woman, who perched on the shoulders of someone near the front. Throwing both her shirt and bra at Lou, she crowd surfed until she was dropped, then clamored up onto the stage to get a little closer. As an answer to this event, Jason sang "I'm going...
...pillow whose filigreed embroideries of butterflies merge with the platinum waves of her hair, Bouban's marmoreal face achieves the vacuity of expression associated with mannequins or dolls. Her smooth skin seems carved out of soap. But Wols's depiction is more than a trite objectification of a woman's face. Though she is reclining, this is not an image of repose. He effects the same response as that engendered in his self-portraits: the image is impossible to penetrate. Aside from the details of her features, one cannot learn anything about her; her expression resists psychological classification...