Word: womanizes
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...attentive viewer wonders if the parents set the wrong tone for their son, since, on a table by the playpen, they've placed three metal statuettes labeled Pain, Grief and Despair. These figures will recur, in the forms of a deer, a fox and a crow, as the woman's grip on sanity loosens and she becomes a danger to herself and her husband...
...from the previous summer of the boy's shoes put on the wrong feet, and, in one of several allusions to The Shining, a thesis notebook whose pages reveal handwriting that grows less coherent and into scrawls - the director deftly drops hints of madness in its early bloom. The woman is driven bonkers by grief at her son's death, but she may have been heading for the daft side months before...
...sympathetic shrink on HBO's In Treatment) has an effect on everyone but Gainsbourg. The actress's performance will be called daring, because of the sexual intensity in her trysts with Dafoe and a long, nude masturbation scene in the forest. But she's an acute judge of the woman's character in the subtler moments as well. Her face, which resembles the woodcut of an ancient warrior, can express all the stark shades of desperation the script requires...
...when Antichrist moves defiantly out of the land of Hitchcock's Psycho and into Saw territory that it lost most of its audience Sunday night. There were scenes - the woman's attack on her husband's sex organs, then her mutilation of her own - where you could hear "Oh, come on!" muttered in several languages. There's nothing wrong with a movie going crazy along with its characters, as we noted in our Thirst review two days ago, but von Trier doesn't have the craft to bring the moviegoer along in the most extreme parts of Antichrist. The thought...
...Trier means to portray the woman's dangerous identity with the witches who were the subject of her thesis, and to argue that nature itself may be evil. ("Nature," the woman says, "is Satan's church.") What troubles even von Trier partisans is the connection this woman has with some of his other female protagonists. Emily Watson in Breaking the Waves, Bjork in Dancer in the Dark, Nicole Kidman in Dogville and Bryce Dallas Howard in Manderlay are all made to endure, at the rough hands of men, indignations that are depicted so long and lovingly that they seem like...