Word: womanizes
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...tienne’s words are untangled, a thoughtful attempt to embrace all of human experience is revealed.Despite the deliberate structure of 10 groups of 10 14-line sonnets, the collection’s overarching narrative remains confusing. Each of the 10 sections has its own quasi-plot: a woman named Ang suffers through a relationship, a woman falls in love with a painter, a man named Lam flees the scene of a murder and ends up at an airport in Georgia. The characters are little more than ciphers, though, and they often disappear when thematic commentary...
...shared between the children and a group of adults, many of whom later become the victims of Eli and her “father.” These portions of the film seem to exist solely to add more horror to the story; in one particularly gruesome instance, a woman who has been bitten but not killed by Eli opens the blinds of her hospital room, and the results are not pretty. The woman’s story seems designed primarily to lead to the horrific payoff, which is discouraging considering that the moment in the hospital has almost...
...addition to the index, the study also profiles each of the 130 countries, highlighting data such as the literacy rate, average number of births per woman, and women’s mean age at marriage...
...partner in espionage but never in bed. She and M ask Bond what Vesper would think about his vendetta. “I don’t think the dead care about vengeance,” he says with false detachment. Vesper, though, would be jealous of Camille, a woman of unassuming complexity—one whose flaws and idiosyncrasies are taken for granted, not announced in a flashy Freudian face-off like the one that introduces Vesper. Camille too seeks revenge, and admits to Bond with wry satisfaction that she slept with the film’s villain, Dominic...
...will run through Nov. 15 in the Agassiz Theatre—director Andrew C. Coles ’09 takes creative liberties to accurately portray modern society’s heterogeneity. Browsing the original cast list, one thing is certain—if you’re either a woman or a person of color, you aren’t going to get much stage time. It’s an unfortunate trend throughout Western theater: typecasting often places women into roles as either sexualized damsels in distress or desexualized comed relief, while black characters are often marginalized altogether...