Word: womans
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Dates: during 2000-2009
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...this role, Goldberg draws us fully into the mind of a tormented musician. His character is acutely aware of all sounds and overly sensitive to any kind of distraction which occurs during his performances. In one of the film’s more memorable scenes, a woman at Goldberg’s concert lightly fans herself with her program, sending Aaron into a spiraling frenzy. Ripping a huge American flag from the back of the stage, he whips it back and forth in the concertgoer’s shocked face. “This is what I hear when...
...mother to a whore with whom he forms a relationship. The women circle Poe—who collapses—and begin quietly singing adaptations of his most famous poems in unison, including “Annabelle Lee” and “Alone.” Each woman seemingly competes for Poe’s recognition as the inspiration for her respective poem. This opening scene forces the audience to recognize the pathos in Poe’s life and movingly conveys the emotions that inspired his works. This early success is repeated throughout the evening...
...rest of the play continues in a similar vein, with scenes and songs based on Poe’s poetry and his difficult experiences—both romantic and maternal—with women. As each woman sequentially enters and leaves the stage, a new dimension of meaning is placed upon each poem; the muse behind the words is unveiled. The women separately represent something to Edgar, a trait of character or quality of life that he never had. Amongst many impressive performances, Joelle Kross as Virginia, Poe’s 13-year old bride and first cousin, is particularly...
...movie’s opening scenes give the impression that Krasinski has filtered Wallace’s prose through a sieve that seems oddly like one of romantic comedy. “Modern woman is a mess of contradictions,” one student remarks to another. “That makes it so hard to know what they want.” Statements along these lines abound in this highly verbal film, but the interview segments go far beyond a women-are-from-Venus approach in unfolding the fragility of both genders in their relationships. When describing...
...watching. Reacting is human; when Ryan erupts and shouts “Judge me!” he is not only demanding but acknowledging the power of natural human behavior to utterly devastate. In Krasinski’s film, as in Wallace’s prose, no man or woman is left spared...