Word: women
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Dates: during 1960-1969
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...surprised that you suggested no escape plan for the average CEBUS victim. Mine is workable, simple, and guaranteed to trim the waistline while liberating the mind from ugh-plugs. For women, the average battery of three commercials per station break allows time for any of the following: washing and rinsing about one-third of the dinner dishes, emptying trash, sorting or putting away the wash, pressing any two wash-and-wear items, filling the coffeepot for the next morning, feeding any household pet. For men: finding the car keys, tucking in the children, taking trash out, balancing checkbook, having brief...
...Score. Con brio serves as the motto of Schneider's life as well as his music. Married and divorced three times, he is an Old World charmer who, as a friend puts it, has a different girl for every occasion. "The only important things," Schneider sighs, "are women and music." His exuberance sometimes leads him into a harsh candor about other musicians' performances, which he cheerfully calls "giving it to them over the head...
...inveterate prankster who used to break up his staid colleagues in the Budapest Quartet by inserting pictures of nude women between the pages of their scores. He is also an accomplished chef. One source of friction in his brief marriage to Actress Geraldine Page (1954-57) seems to have been her insistence on eating peanut-butter sandwiches; few would fault Sasha there...
...Joseph F. Mulligan, 48, former dean of Fordham graduate school, had asked to be released from his vows in order to marry. His fiancee is Patricia Plante, 36, who resigned last month as dean of Thomas More College, Fordham's four-year-old liberal arts branch for women. Unlike Sponga, who simply quit, Mulligan adhered strictly to church rules in such matters. Three months ago, he requested a leave of absence from his supe rior. He then, said the Jesuits, "petitioned Rome through the regular ecclesiastical channels for laicization with permission to marry." The Vatican has yet to make...
...consequent feminine insight. This is supported by the text often, particularly in the dialogue with Carmen, but it annihilates any credibility to her stated relationship with Georges, the chief of police. Genet's contradictions work better set in a world where men are more-or-less men and women women; when the men are made effeminate and the women overly masculine, the text appears too-soon banal, the action singularly purposeless. The actors in the Balcony are always pawing at one another, an inadequate substitute for the guts in Gent's work...