Word: womens
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Dates: during 1960-1969
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...night and typed Bobby's speech on Viet Nam" in February 1966, Ethel Kennedy recalled last week. During the 1968 campaign, Mary Jo worked in the "Boiler Room" of R.F.K.'s Washington campaign headquarters, where the running count of convention delegates was kept. Mary Jo joined three other young women in renting a small Georgetown house on Olive Street. Though bright, blonde and at least conventionally pretty, she had little social life outside of the office. Michael Dinunzio, who later worked with her in a Colorado Senate campaign, recalled: "She had no plans for marriage. Her total life was politics...
...objects of Suenens' complaints ranged from the repressive measures employed against modern Catholic theologians to the church's attitude toward women. But his prime target was Vatican bureaucracy. The Pope is indeed head of the universal church, Suenens affirmed, but he is also the prisoner of a curial system that makes him more an emperor than a successor of Peter. Most contemporary church problems, the cardinal suggested, stem from the legalistic mentality of the cardinals and other functionaries who surround the Pope-men who refuse to recognize that bishops, priests and laity must also participate in the governing...
...would hack out the weekly chapters from the Robbins outline and flesh out such supporting characters as Louis Armond St. Verre, described in the scenario only as "the debauched scion of an old French family whose main claim to fame is that he has made love to 3,000 women and has had gonorrhea 26 times...
...showdown in every sense of the word. Scuffles erupted in the council corridors between opponents and supporters of rent control. Women wept. Men cursed. Some women cursed. When the council, for the second time, voted down the convention's bill, for its supporters it was as if the guys in the black hats had shotgunned the guys in the white hats and had then ridden off into the sunset...
Visually the documentary parts have a seeming aimlessness that borders on irresponsibility. It includes one marvelous establishing shot of the Brazilian people: a tightly packed ferry nudges into dock, the retaining rope falls, and Brazilian men and women come running towards the camera in slow motion. Much of the rest of the footage comes on as a Coca-Cola travelogue, complete with the familiar dialectic of Old and New: large cathedrals, ornate Spanish architecture, monuments and statuary versus shots of the people gaily swinging through the busy streets of Brazil's modern cities, qua qua. And there to help them...