Word: womens
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Dates: during 1960-1969
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...Miss Craig's 21-Day Shape-Up Program for Men and Women, Craig...
CHILDREN'S THEATER (NBC, 6:30-7:30 p.m.). Sixty-three young dancers from the Children's Ballet Theater in a new version of Louisa May Alcott's Little Women, choreographed by Christine Neubert. The original score is by Robert Maxwell; Geraldine Page narrates...
Even Ford's most tragic films (How Green Was My Valley, The Searchers (1956), 7 Women (1966)) are filled with Ford's characteristic singing, folk dancing, and comedy scenes which, as long as they occupy the screen, capture attention to the point of making us forget about the basic story. Ford knows the attentions and moods of people change easily--that purpose can (even must) be put aside for brief periods of time in favor of diversion. Incorporating this, his films inherently have a dimension of staggering realism. But Ford is no realist, and that dimension is infused into...
Second, Ford abstracts and ennobles dramatic action by formalizing it. An archetypal Ford image from Stagecoach (1939) through 7 Women is the Full Shot of a vast plain or prairie with a horse soldier (or vehicle) traversing it in a rigidly straight line, as if kept to a defined path by invisible walls. To return to our last reel of Shark Island, when Mudd wakes up the cannoneers, they bolt into sitting position on their bunks in unison, as if a single string controlled them all; the sense of formation is carried through to the end when the prison commander...
...Valance). The Searchers (1956) is the great epic of American film, and The Man Who Shot Liberty Valance its deepest statement of the lamentable transition to modern society. Donovan's Reef is one of his funniest, while putting an audience through incredible changes. Finally, the strange and wondrous 7 Women, Ford's last film and his darkest, is a chilling vision of apocalypse and the destruction of the order Ford cherished...