Word: womens
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Dates: during 1970-1979
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...Wednesday Rose C. Palermo '80, a candidate for Radcliffe Class Marshal, spoke with Horner about changing the present election procedure, which allows only men to vote for men and only women to vote for women...
...four years we go through a coed experience here. To have separate Class Marshal elections for men and women just seems inconsistent. I would like to see men being able to vote for women and vice versa." Palermo said yesterday...
Among the women, Caroline Rody's sweet secure voice renders the multi-lingual "Marieke" gracefully, if a bit timidly. Susan Pollock's voice sounds very well-trained--in fact, too well-trained. Her careful attention to breathing and assiduously precise placement of each note is distracting. The demure soprano of Carla Seidel finds the right, slightly cloying tone for "Carousel," though by the end she becomes both inaudible and unintelligible as she tries to keep up with the song. But then, that's the point...
...CONTRAST to Eliza's emotionalism, Higgins should be implacable, for a bohemian professor must remain oblivious to women. Hollander conveys that imperturbability, if somewhat blandly in the first few scenes. His solos, designed for enunciators rather than singers, display his rhetorical skills admirably. Unfortunately, the orchestra, even at low volume, drowns out about one-fourth of his and Tompsett's lyrics...
...advocates might concede that abortion is murder, many might argue that under some circumstances inflicting pain on one person in order to lessen the pain of others is the lesser of two evils. In particular, many people feel that the right to abortion is vital to the liberation of women from oppression and the liberation of men from the role of oppressors. But if the women's movement claims to be an alternative to the politics of power and violence, of the strong asserting themselves at the expense of the weak, then it must either abandon the defense of abortion...