Word: wonder
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Dates: during 1950-1959
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...raises about our competence in handling any kind of international publicity, the policy adopted has provided a testimony of doubtful wisdom. When it is realized that the government was prepared to conceal the whole affair indefinitely, despite apparent Soviet knowledge of the entire theory involved, one can only wonder what secrecy in space and atomic energy really means...
...explanation for this attitude can be found primarily in the commonness of European travel, which is often a narrowing experience at college age. It is narrowing because it breaks down the feelings of wonder and strangeness with which a child responds to something new, substituting mere indifference. Furthermore, in destroying the attractive image of Europeans formed in childhood it replaces them with the easy stereotypes to which the tourist is most often exposed. The triumph of "really getting to know the people," prime goal of the sincere and energetic travellers, usually consists of conversations in museums, evenings in the beercellars...
Belle, 27, is Pittsburgh's onetime "boy wonder" of finance, wanted for bilking three Eastern banks out of $825,000. Cage, 41, is under sentence to ten years in prison for embezzling $100,000 from the Texas insurance company he once headed. Both fled south just ahead of justice and took refuge in the fact that Brazil has no extradition treaty with the U.S. and refuses to sign one as long as the U.S. permits capital punishment-which is long enough for Cage and Belle...
...says Tillich, exists in a state of "finitude." He does not know what he is or where he is going. He feels estranged from some great, unknown thing that is demanded of him. He is filled with wonder at the phenomenon of "being," simple astonishment that things are. This wonder presupposes a darker knowledge that they might not be; being is threatened, always and everywhere, by nonbeing...
...wonder of this sordid and symbolic tale is that it is suffused with compassion, heightened by the remarkable music Alban Berg wrote for it. The score, set in the tilted frame of nontonality, is carefully cast in a variety of classical musical forms: suite, passacaglia, sonata, fanatasie and fugue; scherzo, etc. The huge (113 instruments) orchestra sometimes bellows in brassy rages, sometimes shrieks in lines of shrill angularity, sometimes surprises with passages of softly breathing lyricism. The stark horror of the murder is conveyed in a howling, brassy crescendo in the orchestra that gives way abruptly to the tinselly tinkle...