Word: wonderful
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Dates: during 1970-1979
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...early stage. Most viewers won't come to the show with a fund of Bauhaus history. Instead, they're interested because the name connotes an austere functionalism in design that has infiltrated 1970s American life everywhere from typography to the mass-produced Marcel Breuer steel tubular chair. They'll wonder how this regulated style ever evolved from these 51 varied graphics--expressionist, primitive, whimsical. realistic, neo-classical, and architectural. And the Busch-Reisinger is not helping anyone by providing enlightening text or more visual information. No linear historical perspective adds to the horizontal historical sample of European...
...exceedingly difficult to assimilate, being highly elliptical, syntactically intricate, and stuffed with multiple meanings, is somewhat abridged here, so that the entire show has a running time of only 170 minutes. For some reason Kahn has adopted hybrid pronunciations for the names Leontes, Paulina and Proserpina; and I wonder whether the Clown's misaccentuation of "lamentably" is intentional. why too must everyone accent occurs some 60 times in Shakespeare, and it almost invariably requires first-syllable stress...
...said hello Bill, he being an uncle or cousin to most of them. The Scruggs Revue was definitely the high point of the evening. They were using Vassar Ciements then, and were restricted to pretty straight bluegrass, and the wheatlanders impressed upon them to do "Salty Dog" twice. I wonder if they remember this concert. Since than the two main one, Randy and Gary (State is a minor member, have reached maturity. They could play and sing like blazes back then, but now they have a strong influence on their father, who faithfully rocks along of does his best...
Sudan Guatemala, Greece, Bolivia, Chana, Indonesia, Iran, Syria, Ecuador, Uruguay, Brazil, the Dominican Republic, Chile... all these countries are now ruled by dictatorships imposed through CIA-supported coups. It makes one wonder who to blame...
...really do. And the film is surprisingly serious about the usually cliched conflict between European urbanity and Doyle's simple "I'm an American and we're the best so fuck you" attitude. He proves his courage, yes, but he also makes a complete fool of himself--and, wonder of wonders in a picture like this--he shows monstrous inefficiency. Very un-American and very unpoheevian-like. He's much more loveable this way, and surrounded by Marseilles's exotic side-streets his vulnerability takes on a meaning lost in the mad avenues of New York...