Word: wonderingly
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Dates: during 2000-2009
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...thousands of dollars, you will not go broke. You think that when you're driving 100 miles an hour, you're going a perfectly reasonable rate. You think that when you jump out of the window, you can, in fact, fly. In that case, my impulse was just - I wonder if I could hit my artery? A few seconds later, I realized indeed I could hit my artery, and was about to die. You know, if I had wanted to die, I would have lain down and died. But I had no interest in dying. What I wanted...
...Movies like Polar Express and Sin City proffered seductive experiments in digital cinema and green screen, but Speed Racer announces the arrival of the virtual movie. If you watch the film overwhelmed by the assault of seductive visual information and wonder what you're seeing, here's the happy answer: the future of movies. And the people who made it? They're the industry's can-do-anything superheroes. Not Spider-Men, not Hulks or X-Men. No: Speed Demons...
...like Polar Express and Sin City proffered seductive experiments in digital cinema and green screen, but Speed Racer brings the virtual movie to full maturity--the, for now, ultimate blending of man and machine. If you watch the film, are overwhelmed by the assault of seductive visual information and wonder what you're seeing, here's the happy answer: the future of movies. We sing the movie electric...
...rising literary generation. Born in London to Bengali parents, she grew up in Rhode Island, where her father was (and is) a librarian. She went to Barnard, then moved to Boston to work in a bookstore and collect master's degrees and generally figure herself out. "I sometimes wonder, If I'd not gone up to Boston for those years, would I have written fiction?" she says. "In New York I was always so scared of saying that I wrote fiction. It just seemed like, Who am I to dare to do that thing here? The epicenter of publishing...
...absurdity of American reality, he often meanders and digresses; some essays don’t seem to fit in the book’s overarching theme at all. While reading the essay about Super Bowl XL in Detroit, I was not at all sure how describing Stevie Wonder as a “playful, gigantic black baby who has absorbed all terrestrial sounds and language in a single gulp” or Aretha Franklin as a “300-pound mountain of congealed hurt” was at all relevant to his broader message about anomie...