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Clash was the third new stereoptic release in a month, after Alice in Wonderland (now well past $300 million at home, and at $672.8 million worldwide) and last weekend's topper, How to Train Your Dragon (already closing in on $100 million domestic). Apparently audiences are insatiable for movies for which they have to wear goggles. The Hollywood bosses like them too, since they can charge an extra $3 or $4 per ticket for the privilege of seeing a movie like Clash that is retrofitted with no other purpose than greed. This time, audiences responded to the saturation marketing campaign...

Author: /time Magazine | Title: Box-Office Weekend: Cash of the Titans | 4/4/2010 | See Source »

...family of four, with tickets ordered over an Internet site like Fandango that charges a booking fee, can run from $60 to $75 before the family even gets to the concession stand. For all of this, you can thank Cameron - and Tim Burton, who directed Alice in Wonderland, not to mention the mass audience's compulsion to see the big new movies in the big hot format...

Author: /time Magazine | Title: The 3-D Pileup: Too Many Movies, Not Enough Screens | 4/2/2010 | See Source »

...Avatar was a game changer," says Bock, "but so was Alice in Wonderland. People were expecting it to do $65 [million] to $70 million [its first weekend], but then it goes and does $116 million, which is something almost unseen outside a traditional Hollywood blockbuster. So now that's something that every studio has to consider: How can you find the right window to match that sort of performance? It's a change in paradigm. You not only have to look at your weekend, but you have to look at surrounding weekends, because you need control of the most...

Author: /time Magazine | Title: The 3-D Pileup: Too Many Movies, Not Enough Screens | 4/2/2010 | See Source »

...moment. (And it's rated PG-13 - unlike 300, its recent ancestor in the antique-Greek action genre - so the hacked-off-arm opportunities are also limited.) But at least this transfer to 3-D doesn't substantially darken the original image, as Tim Burton's Alice in Wonderland did. More important, you don't need glasses or a bank loan to enjoy Clash. It's very watchable in 2-D. I realized that when I removed my goggles during some scenes and found nothing changed: no double vision, no change in brightness. A Cyclops could see the movie...

Author: /time Magazine | Title: Clash of the Titans: A Hit from a Myth | 4/2/2010 | See Source »

...these are animated features (beginning with Dragon and ending in December with Yogi Bear); four are extensions of B-movie franchises (Step Up 3D, Piranha 3-D, Jackass 3D and Saw VII); one is another concert film (Kenny Chesney: Summer in 3D.) Two Disney films, Alice in Wonderland and Tron Legacy, are a mix of live action and digital fantasy. That leaves just two live-action movies - the Warner Bros. adventures Clash of the Titans and Harry Potter and the Deathly Hallows: Part I - that might have been released in the traditional format but are instead going...

Author: /time Magazine | Title: The 3-D Pileup: Too Many Movies, Not Enough Screens | 4/2/2010 | See Source »

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