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Word: wood (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...Natalie Wood's visit to Harvard to accept the Lampoon Worst Actress Award should be appropriately celebrated. Miss Wood, who reached the pinnacle of her career in her brilliant portrayal of the little girl in Miracle on 34th Street, understandably considers this award a fitting tribute to her thespian talents. It is be hoped that the Lampoon will take advantage of the visit by presenting, from its vast, library of movie, grants, some of Miss Wood's finest hours for the benefit of the Harvard community. Included among these we would suggest her classic ingenue as Marjorie Morningstar...

Author: NO WRITER ATTRIBUTED | Title: The Wood Award | 4/12/1966 | See Source »

...Natalie Wood won't accept the Lampoon's worst actress of the year award with the customary embarrassed silence. She has demanded an invitation to Cambridge so she can receive the honor in person...

Author: NO WRITER ATTRIBUTED | Title: Natalie Wood Will Come to Harvard For 'Poon's Worst Actress Award | 4/11/1966 | See Source »

...Lampoon has given Natalie the worst actress prize "for this year, next year, and the following year" thereby retiring the award, which now will bear Miss Wood's name when it is given to other actresses...

Author: NO WRITER ATTRIBUTED | Title: Natalie Wood Will Come to Harvard For 'Poon's Worst Actress Award | 4/11/1966 | See Source »

...Miss Wood has indicated she wants the same lavish treatment from the Lampoon editors that Ethel Merman received from the Hasty Pudding when she picked up the 1966 Woman of the Year Award. Her press agent has already called the Lampoon three times to make sure the festivities get planned

Author: NO WRITER ATTRIBUTED | Title: Natalie Wood Will Come to Harvard For 'Poon's Worst Actress Award | 4/11/1966 | See Source »

...never have seen the art capitals of his time. Yet he was thoroughly a man of his age, more influenced by the classical traditions of Greece and Rome than by the devotional art of the Middle Ages. The alabaster flesh relates to marble rather than to the painted wood of medieval altarpieces. More human than divine, Correggio's early masterpiece is both sensual and innocent. Alive with the fresh greenness of spring, its testimony is to the Renaissance fascination with man as the image...

Author: /time Magazine | Title: Painting: The Sensual Innocent | 4/8/1966 | See Source »

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