Word: wood
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Dates: during 1980-1989
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...SHOT ITS OWNER. All voice serious concern that unimaginative headlines -- GIRL, 11, BECOMES GRANDMOTHER -- are replacing zany eye-catchers -- CHRISTOPHER COLUMBUS USED MAP PREPARED BY SPACE ALIENS -- that reflect the best work of twisted minds. Ex-Fleet Streeter Sheila O'Donovan, known to Examiner readers as Lovelorn Columnist Sheela Wood, praises what she considers America's restrained tabloid sensibility. She quit a Hong Kong tabloid in protest after the editors put a large blob on the front page with the headline 20 CARS CRUSH CRAWLING CRIPPLE...
...siblings. The room is barely large enough to fit the three beds. In the winter, cold air knifes through the spaces between the clapboard walls. The children sleep under layers of homemade patchwork quilts. No door separates their bedroom from the living room, a small rectangle dominated by the wood stove that is the sole source of heat for the house...
Searing heat and extreme drought have turned Western forests into a species of kindling wood, and lightning strikes have provided the match. In Wyoming last week the so-called Mink Creek Fire, the biggest in more than 50 years, had burned to within a day or so of Yellowstone National Park after consuming 24,000 acres of prime grizzly-bear habitat. In Colorado one fire that torched 18,000 acres of deer, elk and antelope habitat before being contained was rated the biggest in the state's history. Other major blazes are burning in Oregon, Utah, South Dakota, Washington...
...into the picture. This technique, so fundamental to modern art, seems to have been Braque's invention and not Picasso's. He made the first papier colle in 1912, Picasso following a week later. Moreover, Braque had been a house painter's apprentice and thoroughly understood the techniques of wood graining and false-finishing. He could reproduce a "real" fragment of a room, a table, a still life at will, whenever the image needed to be brought back to flatness and density out of the jumble of ambiguous signs...
...Biennale, however, is in the English pavilion: a survey of work by Tony Cragg, 39. It issues from a strong and wide-darting imagination. Cragg's sculpture is richly polymorphous, refusing to be pinned down in any style and incorporating such materials as bits of blue plastic scrap, bronze, wood, lab glass, plaster, cogwheels, rubber and sandstone. At times the results look mysteriously vulnerable and reserved, like Silicate, 1988, an array of laboratory beakers and bottles, sandblasted until holes appear in their milky skins. Other pieces are farcical: Code Noah is Cragg's gloss on the perpetuation of genetic traits...