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Word: woodcut (lookup in dictionary) (lookup stats)
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...Woodcut. Canny Connecticut doesn't intend to freeze next winter, no matter how short the supplies of coal and oil. Governor Robert A. Hurley approved last week a drive to list all wood lots where residents can cut kindling and logs in their spare time now, for thorough seasoning before cold weather...

Author: /time Magazine | Title: Patterns | 6/22/1942 | See Source »

...pranced on many an ancient parchment. An old Flemish manuscript showed St. Margaret being disgorged Caesarean-wise by a repentant dragon who had swallowed her. A fox ogled out-of-reach grapes in the earliest extant copy of Aesop (circa 1000 A.D.). A 15th-Century German volume showed a woodcut of bewildered apes trying to light a fire with the aid of a glow worm (see cut), while birds jeered from a tree...

Author: /time Magazine | Title: Art: Animal Week | 12/2/1940 | See Source »

...those who dread the woodcut terrors of the Dance of Death or other bizarre inflections, and for whom all complex sanity is madness, David Smith will seem bewildering. But for those anxious to participate in his visions, there will come a stern pleasure in unraveling his thousand devices...

Author: /time Magazine | Title: Art: Mr. Smith Shows His Medals | 11/18/1940 | See Source »

Biggest contribution of the Brooklyn show, however, was its evidence of Gauguin's ceaseless experimenting, tireless ingenuity. Visitors could see how the artist became dissatisfied with his woodcuts after making a few impressions, altered details that displeased him, strengthened effects that he liked. Curator of prints, Carl O. Schneiwind, who assembled the show and is revising the Guérin catalogue of Gauguin's prints, believes that as Gauguin's rich paintings resemble tapestry, his woodcuts resemble murals. To prove it he made a photographic enlargement of Gauguin's biggest woodcut, dramatized his thesis that Gauguin...

Author: /time Magazine | Title: Art: Gauguin Prints | 6/27/1938 | See Source »

...strange that such a penetration into a new field inspired other ventures in landscape. There comes Hendrik Goltzins, the engraver, whose two woodcut prints in great boldness of line, alone of all the early examples could be safely hung beside the strength of the "Cannon." There also was Augustin Hirschvogel, the etcher, whose print betrays the limited grasp of landscape forms in his day and there is Lautensack who loses himself in the struggle to record the whole tangle of a forest...

Author: NO WRITER ATTRIBUTED | Title: Collections and Critiques | 3/15/1938 | See Source »

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