Word: woodcuts
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Dates: during 1980-1989
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...Minutius. The skill and beauty of the Aldine editions of illustrated works like the Hypnerotomachia Poliphili fostered an unsurpassed quality in Venetian woodblock cutting. Indeed, Titian's twelve-sheet print The Submersion of Pharaoh's Army in the Red tonal vigor and grandeur of notation, is to woodcut what the Sistine Chapel is to fresco...
...stark, hospital-green set. Montgomery delivers Jackson's graphic descriptions of horrific war scenes in a voice which goes flat whenever his emotions threaten to take over. His face becomes an artistic canvas, simultaneously evoking the moral desolation of a Hopper cityscape and the pain of a Munch woodcut. His continual taking of breathmints suggests that nothing can serve as a palliative for getting the horrible taste out of his heart and soul...
...world is not going directly to ruin has led to one of the main reasons for the archive's success: historical pictures add a depth of understanding to current events. Explains Bettmann: "Why show students protesting at Berkeley? Everyone's seen that. We've got a woodcut of Yale students rioting a hundred years ago. That tells you something...
DIRECTOR Harold Prince, trying to bring some fluidity to the production, relies heavily on the mechanics of an extremely mobile set to permit his cast movement. At best, he creates the seamy atmosphere of a Hogarth woodcut. But his ingenious erector set wears thin, and his staging occasionally seems more suited to a Greenwich Village opera society. Even Prince's chillingly stark Prologue becomes cheapened in retrospect, as the Sweeney leitmotif is repeated ad nauseum. Ultimately imagination turns to calculated effect--blasting whistles, billowing smoke, showering blood--that titillate, but never deeply touch...