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...actress's performance will be called daring, because of the sexual intensity in her trysts with Dafoe and a long, nude masturbation scene in the forest. But she's an acute judge of the woman's character in the subtler moments as well. Her face, which resembles the woodcut of an ancient warrior, can express all the stark shades of desperation the script requires...

Author: /time Magazine | Title: Antichrist: Von Trier's Porno Horror Rhapsody | 5/17/2009 | See Source »

Those of us of with gray hair have seen things we once never thought possible. As a teenager in 1960s Britain, I remember once looking at a Düreresque woodcut of the steeples of Prague - which then seemed on the far side of the world - and thinking, "How sad that I'll never go there." But now Europe is free from the Atlantic Ocean to the Black Sea, its peoples mingling happily, trading with each other, watching the same football games, sharing the same Aegean beaches. Hansa towns on the Baltic, once trapped in a frozen Soviet stubble...

Author: /time Magazine | Title: Europe's Road Ahead | 11/20/2008 | See Source »

...protagonist spends long hours with the 19th century tomes in her father’s library during his frequent absences. She becomes captivated by a “much older volume” that breaks the collection’s uniformity: an enigmatic medieval text marked by a woodcut of a dragon and concealing a collection of yellowing letters...

Author: By Alison S. Cohn, CONTRIBUTING WRITER | Title: Historical Study A-1972: Dragon Books and Dracula | 12/6/2006 | See Source »

...into galleries. Swoon, 27, makes intricate figurative images that she wheat-pastes to walls. Manhattan's Museum of Modern Art acquired six of her pieces this past summer. "We were astounded," says Deborah Wye, chief curator of MOMA's department of prints. "She was using very traditional printmaking techniques--woodcut and linoleum--that she had infused with this contemporary spirit." It's a spirit she takes from the street. And one she leaves behind there...

Author: /time Magazine | Title: Takin' It To The Streets | 10/16/2005 | See Source »

...work, showing the tactility of life that is left in those whose lives are accelerating towards being no more. Avery is a physician; his prints depict his patients, sufferers of AIDS. Here each moment seems to be of an expanded worth, as is the moment that his stark woodcut portrait squelched into the paper-pulp he chose as medium and soaked up the blackness of intention. As in “I won’t be no beast of burden” (Avery, woodcut 1999), in the instantaneity of the print is suspended an infinite expression of stillness, sympathy...

Author: By Ross N. Halbert, CONTRIBUTING WRITER | Title: Poetry at a Standstill in Prints Exhibit at the Fogg | 10/15/2004 | See Source »

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