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...covers also represent nearly every conceivable art form-painting in oil and watercolor, drawing, photography, sculpture, woodcut, collage, even needlepoint. The prominent contributors over the decades include Painters Pietro Annigoni, Boris Artzybasheff, Boris Chaliapin, Dong Kingman, Henry Koerner, Peter Max, Andy Warhol, Grant Wood and Andrew Wyeth; Cartoonists Herblock, Bill Mauldin, Patrick Oliphant, Charles Schulz and James Thurber; Sculptors Robert Berks and Marisol. Among the hosts of the Los Angeles exhibit will be Glessmann and Associate Publisher Ralph Davidson...

Author: /time Magazine | Title: A Letter From The Publisher, Oct. 11, 1971 | 10/11/1971 | See Source »

...Cover: Woodcut by Norman Gorbaty. This is the first TIME cover by Gorbaty, 37, who is an associate professor of graphic design at Manhattan's Cooper Union...

Author: /time Magazine | Title: A Letter From The Publisher: Oct. 10, 1969 | 10/10/1969 | See Source »

...allowed to do it), a few are exceptionally magnificent and approach the best work produced by a whole country full of screaming leftists in France last Mai. There is the "on strike abstract" poster (see Strike Graphics Illustration #4), which is a print that was originally a woodcut and was adapted to silk-screen for reproduction. Its use of a circular figure makes it the most suggestive of the strike workshop's designs...

Author: NO WRITER ATTRIBUTED | Title: Strike Graphics | 4/18/1969 | See Source »

...Given this predilection, it was only natural that Munch should ultimately turn to the simplest, most stylized artistic medium then in use -graphics. In the 1890s, lithographs were undergoing an artistic revival in Paris under the gifted impetus of Bonnard and Toulouse-Lautrec, while Gauguin was experimenting with the woodcut. Munch, in his turn, became almost as influential as they...

Author: /time Magazine | Title: Lithography: Three Faces of Eve | 2/21/1969 | See Source »

...have used many art forms for " TIME covers-painting, drawing, cartoon, collage, woodcut, sculpture -but never before the special blend that makes up this week's cover on Playboy Editor Hugh Hefner. It is the work of Marisol, whose highly original and wryly appealing style joins wood sculpture, drawing and painting (not to mention carpentry) in a unique combination. The components of her portraits may be odd -a box, a block, a barrel-but they perceptively convey likeness as well as character. "Her art is that of a toy-maker," wrote TIME'S art critic in 1963, "designed...

Author: /time Magazine | Title: A Letter From The Publisher: Mar. 3, 1967 | 3/3/1967 | See Source »

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