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Both the beginning and ending poems of Vita Nova are themselves titled "Vita Nova," bookending a sequence of 32 inter-locking poems. It is a deeply reinforced whole--one of the last poems likens grief to the dark wood of a lute, referencing and earlier poem, "Lute Song," in which Gluck discusses the construction of the "overwhelmingly beautiful" out of "terror or pain." All of the poems address the problem of a new life, and the more obscure ones benefit from their embedment in the Vita Nova sequence...

Author: By Benjamin E. Lytal, CRIMSON STAFF WRITER | Title: In The Absence of Angst | 2/19/1999 | See Source »

...word about the plot and the criminals. I can't say I know what would be naturalistic or socially real in the underworld, and maybe it's just that all the baddies learn from TV these days anyway (see James Wood's vague gestures toward 70's Scorsese things in Another Day In Paradise). But, offering to help Liam pay a debt to the local hooligan head honcho, Joe does actually get to deliver A Package, ostensibly just driving a car back and forth, and, yes, Joe is not allowed to pull out of the deal once...

Author: By Nicolas R. Rapold, CRIMSON STAFF WRITER | Title: Meet Joe Blank: A Recovering Alcoholic Tries The AA Way | 2/19/1999 | See Source »

...breath of at the Boston Conservatory of Music for a concert I was determined not to miss. Jumping up the steps, I asked a guard behind the desk the way to the Concert Room and squirmed in just in time. The grandly named Concert Room is tiny, wood paneled and elegant, divided almost in half by a low stage. Some 40 people had squashed themselves into about 60 square feet, backed against the walls or seated on folding chairs. On the stage was another folding chair, a music stand and a lute...

Author: By Jerome L. Martin, CONTRIBUTING WRITER | Title: Soundtrack for a Titian | 2/19/1999 | See Source »

...real show-stopper of the night was Jessica Tardy '99, with her smoking brand of funk rock and blues. Accompanied by Tyler Wood '01 (Keyboard), Andy Eggers '99 (drums), John Cappelo (bass), and Noam Weinstein (guitar)--who were all excellent in their own right--Tardy rocked the house with a voice and presence that Passim was straining to contain. Beginning with a borrowed song from Weinstein, Tardy poured out on the audience a voice like a steaming bath--spiked with scotch...

Author: By Phua MEI Pin, CRIMSON STAFF WRITER | Title: STUDENTS SHOWCASE | 2/19/1999 | See Source »

...Know Me," the place was utterly drenched in her voice. From the first moment you hear her, you know that Tardy is something very special. I am almost embarrassed that she is still in school, subject to mundane concerns like response papers, when she is so evidently ready to wood the world...

Author: By Phua MEI Pin, CRIMSON STAFF WRITER | Title: STUDENTS SHOWCASE | 2/19/1999 | See Source »

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