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Another messenger, Jennifer P. Wood, a graduate student at the school of education, says she was amused by the response at Pennypacker Hall as residents awaited her clutching cordless phones to pass along the news to blockmates...

Author: By Connie Chang, | Title: Hear Ye, Hear Ye | 3/22/1996 | See Source »

...Wood (1), Berkery (1), Chave (1), Dominik (1); Harvard--Hall 3 (3), Cleary 3 (3), Stringer 2 (2), Shumway (1), Shortsleeve (1), Hennessey (1). A: B.C.--none; Harvard--Cable, Hall. S: B.C.--McElvogue 18; Harvard--Barghouti...

Author: NO WRITER ATTRIBUTED | Title: Women's Lax Whacks B.C. | 3/14/1996 | See Source »

...transition to woodcuts marks an important period in both Feininger's work and German post-war works in general The process of chiseling and cutting figures in wood lent itself to Feininger's Cubist-inspired "transformation and crystallization" methods. Fragmenting and recomposing his choppy images was perfectly suited to the carving knife...

Author: NO WRITER ATTRIBUTED | Title: Busch-Reisinger's 'Lyonel Feininger' Proves that Art is in the Details | 3/7/1996 | See Source »

Responsible for the robust sound on the album is producer Brad Wood, whose portfolio includes Liz Phair and Veruca Salt. In fact, the grunge-pop arrangements on the album recall Veruca Salt and are no doubt attributable in part to Wood's production. Wood's insistence on precise recording allows the band to "sound like we're playing live in your living room," as Lane says...

Author: By Roland Tan, | Title: Lucy Breathes Loudly | 2/22/1996 | See Source »

Asked about everything from the struggles of parenthood to what kind of wood he would use to carve a likeness of his favorite movie character, Ford seemed tired and overwhelmed by the events of the evening but answered reporters' questions patiently...

Author: By Brendan H. Gibbon, | Title: Ford Receives 'Man of the Year' | 2/21/1996 | See Source »

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