Word: woode
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...ideas about how the tide could swing back to a more biblical interpretation. Experts like Abraham Malamat, a biblical historian at the Hebrew University, suggest that no evidence exists of destruction at Ai, for example, because the city was in a different location 3,000 years ago. Bryant Wood, director of the pro-Bible Associates for Biblical Research, insists that his own research supports Joshua's assault on Jericho. Perhaps, he suggests, Kathleen Kenyon was biased, or just got it wrong...
...goes. Pollack and his team have cast good actors (John Wood, Nancy Marchand) in the supporting roles but have, at best, provided turns for them to do rather than parts for them to play. They have hired expensive locations, which are supposed to impart authenticity to the film but which begin to look like overconsidered stage sets. We remain outside the fourth wall looking in but are never drawn in; bemused perhaps, even agreeably complaisant, but never entirely amused...
Organized by three curators--Friedrich Teja Bach, Margit Rowell and Ann Temkin--the exhibition is beautifully installed, with every piece given its due of light, air and space. It contains more than 100 sculptures in wood, stone and marble, together with the remarkable bases Brancusi made for them and backed up with a host of photographs that document the life in his Paris studio. (Since Brancusi took his own photos, they contain important clues about how he meant the pieces to be grouped, viewed and interpreted.) Already seen in Paris, the show won't go anywhere after Philadelphia; this...
...this suite for the public. Such challenging parts as the piano once played by Duke, the lead trumpet once played by Cat Anderson, the baritone saxophone once played by Harry Carney and the lead alto saxophone of Johnny Hodges were handled well by McKinnon, AlMoffett, Rachel Flkins and Justin Wood, respectively...
...dawning recognition among classical performers that in a world in which marketing is queen, it behooves even serious musicians to put all their assets front and center. "The more we can try to appeal to broader audiences the better," says the highly accomplished Bachmann, whose latest album, Kiss on Wood, offers music by Aaron Copland and Alfred Schnittke--as well as a come-hither album back cover featuring (by classical music's standards) some generous cleavage. "Let's face it, people go into record stores and a lot of times buy recordings on the basis of what they...