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...witness stand, staring down at the small color photograph in her lap, Myrlie Evers' hands quivered slightly. The wood-paneled courtroom was silent. Mrs. Evers paused, drew in a breath and then spoke, her clear voice cracking for the first time that day. "Yes," she said, "this is Medgar in his casket." The photograph showed the exhumed body of civil rights leader Medgar Evers, who had been shot and killed in 1963; even in his coffin he wore a gold N.A.A.C.P. pin on his lapel. Evers had been taken from his grave, and his widow had been called to testify...

Author: /time Magazine | Title: Dispatches: Going the Last Mile with Medgar | 2/7/1994 | See Source »

Alaskans at Harvard say this time is especially difficult for them, because they are far from their homes. Samuel E. Wood '97 says, "It is sort of weird to think that your family is in the line of the fire while you are so many miles away...

Author: By Alberta Laktonen, | Title: Better Dead Than Red? | 2/3/1994 | See Source »

Robert Morgan's sets are the star of this production. For the first act, Morgan had created a perfect Victorian gentleman's study in dark wood with stained glass windows and elegant furniture. Drawing in Wilde's own taste for Asiatic art, Morgan has decorated the room with Asian screens and blue china bric-a-brac. The overall affect is stunning. The second act set is even better, a gorgeous country garden complete with white lawn furniture and overhanging trees. A profusion of flowers cover the black iron gates and the interior of the third set can be glimpsed through...

Author: By Lori E. Smith, | Title: Earnest Not Wilde Enough | 2/3/1994 | See Source »

These days, State Senator Michael J. Barrett '70 (D-Cambridge) shows visitors a picture hanging on the wood-paneled wall behind his desk...

Author: By Jeffrey N. Gell, | Title: Democrats Ponder: | 2/2/1994 | See Source »

Grease has no plot; the scenario that connects the musical numbers is the arrival of a new girl at Rydell High, Sandy Dumbrowski (Susan Wood). After her summer romance with high school hot-shot Zuko, he ignores her in front of his gang of delinquent buddies. She is improbably accepted by the Pink Ladies, the school's group of wilder women, despite their scorn for her virginal bobby-sox image. The acting is competent but no one shines. Some genuine emotion or a bit of chemistry between the couples might have made the evening somewhat more bearable. The audience...

Author: By Rachel B. Tiven, | Title: Grease: You've Seen This One Before | 1/26/1994 | See Source »

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