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Searing heat and extreme drought have turned Western forests into a species of kindling wood, and lightning strikes have provided the match. In Wyoming last week the so-called Mink Creek Fire, the biggest in more than 50 years, had burned to within a day or so of Yellowstone National Park after consuming 24,000 acres of prime grizzly-bear habitat. In Colorado one fire that torched 18,000 acres of deer, elk and antelope habitat before being contained was rated the biggest in the state's history. Other major blazes are burning in Oregon, Utah, South Dakota, Washington...

Author: /time Magazine | Title: The West: Summer Of Fire | 8/1/1988 | See Source »

...into the picture. This technique, so fundamental to modern art, seems to have been Braque's invention and not Picasso's. He made the first papier colle in 1912, Picasso following a week later. Moreover, Braque had been a house painter's apprentice and thoroughly understood the techniques of wood graining and false-finishing. He could reproduce a "real" fragment of a room, a table, a still life at will, whenever the image needed to be brought back to flatness and density out of the jumble of ambiguous signs...

Author: /time Magazine | Title: Art: Glimpses Of An Unsexy Tortoise | 8/1/1988 | See Source »

...Biennale, however, is in the English pavilion: a survey of work by Tony Cragg, 39. It issues from a strong and wide-darting imagination. Cragg's sculpture is richly polymorphous, refusing to be pinned down in any style and incorporating such materials as bits of blue plastic scrap, bronze, wood, lab glass, plaster, cogwheels, rubber and sandstone. At times the results look mysteriously vulnerable and reserved, like Silicate, 1988, an array of laboratory beakers and bottles, sandblasted until holes appear in their milky skins. Other pieces are farcical: Code Noah is Cragg's gloss on the perpetuation of genetic traits...

Author: /time Magazine | Title: Art: The Venice Biennale Bounces Back | 7/25/1988 | See Source »

...Lane, still has fond memories of life in the barrio. During a visit to his old neighborhood, he pauses before a vacant lot bordered by a garbage dumper and two dilapidated cars. "Coming back really tore me up," he says. He would like to turn his great grandparents' old wood-frame house into a museum "not out of ego, but to show kids that starting from here, they can go anywhere they want." Yet it took him a while to find his own path. When Olmos was eight, his parents were divorced. It was a painful time, and Eddie took...

Author: /time Magazine | Title: Show Business: Burning With Passion | 7/11/1988 | See Source »

...materials were cheap and available," explains Santa Fe Architect Michael Bodelson, 33. "It was a vernacular architecture, low technology." These days, he notes in amusement, only the rich can afford to build adobe homes, since authentic construction can add about 15% to 20% to the cost of a comparable wood-frame or brick home...

Author: /time Magazine | Title: Living: Earth And Fire | 7/11/1988 | See Source »

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