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...hectic garment district. The decor of Lauren's headquarters suggests the backstage of a theater: cramped and slightly eccentric, with forest green walls and a bowl of M&M's on a table in the reception room. Lauren's personal office contains some of his favorite props: a wood-burning fireplace, a fleet of toy racing cars, family photographs and piles of fabric swatches. He often wears a studiedly scruffy uniform: a cotton work shirt, faded Levi's and well-worn cowboy boots. "This is who I am," he claims...

Author: /time Magazine | Title: Selling a Dream of Elegance and the Good Life | 9/1/1986 | See Source »

...Marble, wood and bronze remained fundamental materials, but they were used in unorthodox ways; and in addition, a sculptor could use any kind of junk, from cardboard, tin and pine boards (the stuff of Picasso's and Laurens's cubist constructions) to the wire and celluloid favored by constructivists, the steel plates and boiler ends forged by Smith, and so on down to rocks, twigs, burlap, twine or even the artist's own dung, which, canned and labeled by the Italian Piero Manzoni in 1961, provided a nastily prophetic comment on fetishism in late modern art. On its road away...

Author: /time Magazine | Title: Art: The Liberty of Thought Itself | 9/1/1986 | See Source »

...reinvigorate the text, Miller and Director Peter Wood have gone back to its beginnings. The inspiration for the piece, Miller acknowledges, was Studs Terkel's sprawling oral history Hard Times. But during pre-Broadway workshops and a Charleston, S.C., tryout, Miller was repeatedly counseled by critics to shift emphasis from a documentary-style montage of vignettes to a focus on a particular family, resembling his own, whose growing deprivation and humiliation reflected the Depression in microcosm. These semiautobiographical characters proved unable by themselves to bear the weight of enormous events; meanwhile, the play's sweep had been diminished...

Author: /time Magazine | Title: Theater: Torn Apart and Pulled Together the American Clock | 8/18/1986 | See Source »

...half of the hull had been buried under protective silt for centuries. The waterlogged structure, part of which had the consistency of wet cardboard, was moved into dry dock at the Portsmouth Naval Base, and has since been sprayed constantly with a cold-water mist to keep the wood from disintegrating in the air. This treatment will continue for another three years, after which polyethylene glycol, a waxy preserving agent, will be included in the mist in gradually increasing amounts. When the spray is finally turned off in the year 2001, the historic hull should be able to stand...

Author: /time Magazine | Title: Science: Down into the Deep | 8/11/1986 | See Source »

...Mike Nichols, Ephron fille has found the perfect director for her skewering humor. Once he invigorated cabaret comedy as half of the Nichols and May team; now he orchestrates the romantic abrasions of Nicholson-Streep and the nifty cameos of Steven Hill as Rachel's flighty dad and John Wood as a nightmare Alistair Cooke. Generous and precise, Nichols shoots many scenes in long takes, observing the characters like a decorous dinner guest. Always alert to gestural cinema, he takes his time following the tentative caress of a friend's hand on Rachel's swollen belly, or a mother...

Author: /time Magazine | Title: Cinema: Love's Something You Fall in Heartburn | 8/4/1986 | See Source »

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