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James Surls' sculptures, at the Delahunty galleries in SoHo and TriBeCa (through April 14) may not be as complex and many-layered as Graves', but they have their own peculiar intensity about the stuff of the natural world - in his case, wood. Surls, 40, a muscular farm dweller from Splendora, Texas, who is sometimes mistaken for Willie Nelson, works with whole branches and roots, artfully pegged and jointed together so that their knotty, straight-from-the-ground appearance is kept even as they turn into parodies of the human figure. It is like the folksy sensibility that pops...

Author: /time Magazine | Title: Art: Intensifications of Nature | 4/2/1984 | See Source »

...Robert Wood...

Author: /time Magazine | Title: Letters: Mar. 26, 1984 | 3/26/1984 | See Source »

...prices are enough to send anyone to the couch. Some chairs go for $5,500, sofas for $6,200 and Architect Michael Graves' maple, brass and lacquered wood single-bed unit fetches a breathtaking $19,500. But Memphis' business-minded president Ernesto Gismondi, who also owns the highly successful Artemide line, is pushing for more marketable designs and prices. Memphis' latest edition sports straighter legs, more illuminating lamps and affordable price tags. "Fust," a metal-and-wood side chair by De Lucchi, for instance, sells...

Author: /time Magazine | Title: Design: Wild Beat of Memphis | 3/26/1984 | See Source »

...blight may merely signal shifts in local ecological balances. Or, say the scientists, it may be the start of a trend toward devastation that could eventually engulf the entire Eastern green range. Their worry is not unfounded. An apparently similar malady has ravaged 34% of West Germany's wooded lands, causing an annual $509 million in damages to timber and related industries. So far, the U.S. decline has been measured mostly in aesthetic and recreational losses. But it is beginning to have an economic cost as well. Sugar Maple Harvester David Marvin, for example, has lost all the maple...

Author: /time Magazine | Title: Environment: Puzzling Holes in the Forest | 3/19/1984 | See Source »

Director Taylor Hackford, who did An Officer and a Gentle man, has banished darkness from his remake and told memory to take a hike. He works in a relentlessly sun-drenched present, and his central figures (Jeff Bridges, Rachel Ward and James Woods) are used as symbols, not of the past's sweet cheats but of tedious corruption and the lost paradise of Los Angeles. The result is a flat, dumbly brutal movie, full of overplotted complexity and empty of all emotional resonance, except that provided by the presence of Jane Greer (the original film's dark lady...

Author: /time Magazine | Title: Cinema: Of Hotels, Hoods and a Mermaid | 3/19/1984 | See Source »

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