Word: woodenly
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Dates: during 1970-1979
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...other roles run from the accomplished but not overdone leporello of Jose van Dam to Kenneth Riegel's wooden Don Ottavio. Among the women, Kiri Te Knawa's Donna Elvira stands out as the most musically agile and dramatically subtle. Edda Moser afflicts Donna Anna with an unfocused voice and the worst of operatic mannerisms--especially ludicrous with instant translation in English subtitles. She shrieks and sways--the subtitle reads, "I'm fainting." She shrieks once again and staggers to embrace a marble column--"I'm dying...
...less responsibility for the college. "I have four kids of my own. I can't take care of 500 more," Mary Williams, assistant dean of students at Lesley College, says. Some colleges establish a few simple guidelines--at Lesley these include only smoking in the designated areas in the wooden dorms, following state liquor laws, getting roommates' signatures for male or female overnight guests and limiting their stays to three consecutive nights or 12 nights a month. "It's unfair to roommates if a boyfriend lives in the room," Williams explains...
...acting fully matches the wooden level of the screenplay. Why did Jill Clayburgh ever attempt this part? As Erica Benton she was delightful. As a high-powered diva, she's positively grotesque. Those station-wagonned suburban looks don't help and that fabulously skinny body certainly doesn't look appropriate. Who has ever seen or heard an anorexic Joan Sutherland or Beverly Sills? Clayburgh careens about the screen, wildly overacting. Trying so damn hard, Clayburgh becomes positively painful to watch. Matthew Barry reveals some vestiges of talent but when delivering lines like "I must go; she awaits...
...DESIGNER Derek McLane has a fascinating concept in the slanting plank floor and versatile wooden rhombus platform that defines the scene. But his imitation of a forest looks more like one of those soap machines that scrapes across your windshield at a roll-up-the-windows car wash. McLane's platform, moreover, makes for awkward inter-scene set changes, with podiums, benches and other pieces of furniture rolling down the platform and jerking to a stop (as the audience counts its lucky stars). Light designer Rachel Pasch has done an adequate, if not sterling job, fighting as she has with...
They came by the thousands, eyes downcast, silently edging through the high grass near the Thai border town of Aranyaprathet. Men without legs, hobbling on crutches. Women in rags, staggering beneath the weight of wooden poles hung with pots and pans, clothing and bedrolls, hatchets and rubber sandals. Children, some covered with sores, many of them naked, stumbling along at the heels of their parents...