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Word: woodenly (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...presidential ambitions because, he joked, in straw votes he was running behind even "don't know." Now he has a national constituency. He was unfamiliar to most voters before the Democratic Convention. But in the debate with Dole, Mondale came across as "presidential" in bearing -if a bit wooden...

Author: /time Magazine | Title: THE VICE PRESIDENCY: No. 2 Made His Points | 11/15/1976 | See Source »

...only has the offense finally hit full stride, but Columbia should be aided by the mystique of Baker Field, the wooden horseshoe' on 218th Street and Broadway that has been the site of so many Ivy shockers...

Author: By Robert Sidorsky, | Title: The Lion Legacy | 11/13/1976 | See Source »

...OTHER CHARACTERIZATIONS are competent, but not as strong. Terry Knickerbocker as Senex, Hero's lecherous father, delivers his lines in a gutteral huff, and his singing is so stiff as to be wooden. Diane Nabatoff as Domina, his wife, does a generally good job, but is hampered because she and Knickerbocker never seem to develop the right rapport. Jim Pullam brings only braggadocio to his characterization of Miles Gloriosus; it's a tough role to sing, but Pullam can't quite hit the bass notes...

Author: By Joseph Dalton, | Title: That's entertainment | 11/12/1976 | See Source »

...when the word sculpture meant solidity. But their wit lasted. Time and again, one encounters feats of inspired and self-mocking draftsmanship, traced with wire in air: portraits of Jimmy Durante and the shimmying Josephine Baker, or a farouche she-wolf suckling Romulus and Remus through six wooden drawer pulls that serve as her teats. Often there is a prophetic note. Calder's motorized sculptures of the '30s predict the kinetic art of the '60s and are fulfilled in such giant works as Universe (1974), in Chicago's Sears Tower...

Author: /time Magazine | Title: Art: Calder's Universe | 10/25/1976 | See Source »

...this elegiac exhibition of the art of a vanishing race has a leitmotiv, it is an elongated, galloping wooden horse carved by a Sioux and collected by a missionary. Wounded - by a white man's bullet? - the anguished animal seems to be flying forever across thousands of miles of American experience. It epitomizes an essential theme of American art and literature: nature corrupted and innocence defiled...

Author: /time Magazine | Title: Art: Indian Conquest | 10/25/1976 | See Source »

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