Word: woodstocker
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...several exciting players—including the now ‘fro-less but always dangerous Andre Akpan—that will keep you entertained.HEAD OF THE CHARLES REGATTA (Sat. 10/20 – Sun. 10/21)If you’re a crew fan, this is the Super Bowl, Woodstock, and Cannes all rolled into one. If you’re not a crew fan, you will be after the Head of the Charles. It’s a chance to see the best men’s and women’s rowers from around the world compete, enjoy...
...keep the momentum and the audience's interest from flagging. Haynes, like Taymor, is an avant-gardist with a showman's flair, and his movie has as many styles borrowed from '60s movies - from Richard Lester's Beatles films, from D.A. Pennabaker's cinema verite Dylan documentary, from Woodstock and European art films - as it has actors playing Dylan. This buffet of styles makes the movie consistently diverting, if not engrossing...
...right ways to interpret the legacies of feminism. If the personal is the political, as the women on the barricades made us believe, then even choices about how to face old age are going to be loaded. Barbara Kass, a New York City psychotherapist and definitely a citizen of Woodstock Nation in the '60s, feels twinges of guilt about dyeing her long hair at 53. She says, "At 22, getting older absolutely did not cross my mind. The young me would find it shocking that I dye my hair...
...Today, four decades after the youthquake's transformation of the culture, most baby-boomer women have held on to the hedonistic forever-young part of their Woodstock dreams a lot more tenaciously than to the open-and-honest part. And in doing so, they have presided over a narrowing of the range of acceptable looks for women. Women may be CEOs, Cabinet officers and TV-news anchors and may openly indulge their sexual appetites - but only if they appear eternally youthful. And a main requirement is a hair color other than gray or white...
...students a disservice by painting the story of resistance in artificial hues of patience and temperance. If we are to understand the U.S. in the 1960s and ‘70s, we must not teach Martin Luther King, Jr. without mention of the Black Panthers; we should not invoke Woodstock without noting the Weathermen. To do so is to offer a two-dimensional picture that conforms to an imagined trajectory of continuous progress rather than the more complicated—and more interesting—reality of U.S. history...