Word: woodstocks
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Blow-Up, 3:15, 7:05, 11. Thurs. Fri., The Damned, 1, 6, Death In Venice, 3:40, 8:45, Fri.-Sat., Woodstock, midnight. Sat.-Sun., Dirty Harry, 1, 5:10, 9:30, Wild Bunch...
...Woodstock," and "Starting A New Life," formed the core of Tupelo Honey's first side, its affirmation of domestic life. In the former, there is the line, "Lord, don't it get you, when you're bound to roam--Hear you children singin' daddy's comin' home." The latter speaks of moving, but not of the kind of roaming fancied by troubadours. It is the moving of a family unit, "We gotta move, way on down the line,--Girl, we been standing in one place for too long a time." The feeling is reinforced by "You're My Woman," following...
...Since Woodstock, a frenzied, adoring documentary seems to have been made about every tour and concert in contemporary rock 'n' roll. For last year's Great Medicine Ball Caravan, a movie studio even subsidized a festival in order to film it. Not to be out done, Fillmore treats the closing performances at the Fillmore West as if they were the last rites in the Roman Colosseum before the barbarians came to town...
...form through the Stones' famous appearance at Altamont in 1969, when a Hell's Angel knifed a man in the audience. It is an illusion that rock culture died or went sour because of Altamont. That event was merely a peg for a death announcement, just as Woodstock served to announce a birth that had actually happened long before. Yet the myth of Jagger's perversity is such that his music was believed to have turned the Hell's Angels into degenerate thugs-which, of course, they already were. There are some brutes whom not even...
...Music-Dance Critic William Bender and Reporter-Researcher Rosemarie Tauris Zadikov, covering the weeklong Stravinsky Festival at New York's Lincoln Center was an experience of total immersion. The event, a Woodstock in black tie for devotees of ballet, proved almost as demanding on audiences as performers. In all, 31 ballets were presented in seven days, and 21 of them were new works. While Bender kept his critic's eye on the stage, Rosemarie interviewed Choreographers George Balanchine and Jerome Robbins for an article accompanying the review. "The festival went at an allegro pace," said Bender when...