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...Real Paper is no longer radical and no longer collective, and neither are most of the nation's other so-called alternative, or underground, newspapers. Ten years after Woodstock-and nearly a quarter-century after the Village Voice was launched as an alternative to New York City's conventional dailies-the alternative press has become so established that it is very nearly Establishment itself. Gone for the most part are the radical polemics, scatological prose and serendipitously amateur design that were staples of underground journalism. In their place are entertainment listings, movie and record reviews, consumer buying guides...

Author: /time Magazine | Title: Press: Notes from the Underground | 4/23/1979 | See Source »

...Woodstock jazz musicians are another chapter in the town's history of relaxed but imaginative activity; hear them now, it won't be the last time...

Author: By Paul Davison, | Title: Mingus at Eight | 4/19/1979 | See Source »

This Sunday's installment in the Emmanuel Church Jazz Celebration series is a performance by piano-vibes artist Karl Berger and the "Woodstock Orchestra." These musicians are associated with the Creative Music Studio, which was founded by Berger along with Ornette Coleman to provide alternatives in music education. The CMS headquarters in Woodstock, New York provides a focus for a Woodstock jazz community that is growing both in size and vitality. A two hour drive from downtown Manhattan, Woodstock is home for a stable of musicians that includes Berger and Jack DeJohnette, and the town has been a rest/retreat spot...

Author: By Paul Davison, | Title: Mingus at Eight | 4/19/1979 | See Source »

This newest burst of creative activity at Woodstock would seem to lend support to those, from Coleridge to Castaneda, who believe that nature's creative force springs from very specific spots on earth. Some forty miles north of the actual site of the festival that burnt its name onto the map, Woodstock might be any sleepy little town at the base of the Catskills, but for the amazing variety of artistic spirits that seem to gravitate there. The tourists shops and gaudy "art" galleries that sprang up at the end of the 60's (actually a few years earlier, when...

Author: By Paul Davison, | Title: Mingus at Eight | 4/19/1979 | See Source »

...Hair presents the decade in the terms of balletic myth. The passions of a generation are poured into a single setting, Central Park, on a single enchanted night. The park becomes an idealized, but never sentimentalized, recreation of the brief-lived Utopias that once sprang up in Haight-Ashbury, Woodstock and the East Village. Yet Weller does not get carried away by his conceit. His characters talk like people, not platitudinous flower children, and their all too innocent dream does not last forever. Eventually the tribe must leave its forest idyl behind to confront the wintry realities of a society...

Author: /time Magazine | Title: Cinema: A Mid-'60s Night's Dream | 3/19/1979 | See Source »

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