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...dropout and, for a time, a quick takeoff artist, bombing the interstates and bumming his way around Europe, vaguely thinking of becoming an artist. Some of his friends were convinced that he would never find himself, would wind up a loser, and Redford remains fascinated by the type. Since Woodward and Bernstein could possibly be seen as anti-Establishment goads, that also probably drew him to them. In short, he may have become a Goliath in his trade, but his heart belongs to the Davids...

Author: /time Magazine | Title: Cinema: Watergate on Film | 3/29/1976 | See Source »

Redford bought the movie rights for $450,000. He began work by affixing himself to the Post city room, particularly to Woodward and Bernstein. "I fell in love with the Post," he says. "I felt these people really did lead a different life. I saw all the leads that Bob and Carl couldn't go with. It was such fat, juicy stuff." He won the confidence of Bradlee and most of the paper's other executives, with the exception of Publisher Katharine Graham, who remained wary of the whole project...

Author: /time Magazine | Title: Cinema: Watergate on Film | 3/29/1976 | See Source »

Even the painstaking habits that annoyed Redford on the set must seem worthwhile now. The director has patiently sought out the inner dynamics of the film's many short scenes involving characters who have no lasting relationship with Woodward and Bernstein or anyone else in the film. His ability to find drama in the way a cup of coffee is handled, in the briefest play of emotions across the troubled face of a reluctant informer, is remarkable and invaluable in preventing the film from being no more than a historical record, a documentary in the dullest sense of the term...

Author: /time Magazine | Title: Cinema: Watergate on Film | 3/29/1976 | See Source »

first-rate paper, though there is no doubt that it misses the excitement and the unifying cause of Watergate. As for Woodward and Bernstein, despite their new riches, they remain Post employees; their life-styles are a lot more comfortable but essentially unchanged from the days before their fame. Friends report no apparent danger that either is about to indulge in celebrity carryings-on. Indeed, they have spent the last year working at their trade, reporting the death throes of the Administration they were instrumental in bringing down. Their new book, The Final Days, to be published by Simon & Schuster...

Author: /time Magazine | Title: Cinema: Watergate on Film | 3/29/1976 | See Source »

Meanwhile, All the President's Men is being judged by some tough audiences. It has already succeeded with the once suspicious Post crowd. Says Woodward: "The film taught me something about my business?seeing how they treated it and how they cared for it. The movie's not just pretty damned true, it is true. I just think, if reporters see it, they'll say, 'This is how we do it.' " Adds Bernstein: "They did a spectacular reporting job to do this movie. Good reporters get their sources to trust them, and that's what they did with...

Author: /time Magazine | Title: Cinema: Watergate on Film | 3/29/1976 | See Source »

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