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...oldest new comedian around is Jackie Kahane, who is 39 and has actually been a figure in the nightclub woodwork for some time but is now crawling toward recognition. He is a Canadian and a throwback to the era of the stand-up comedian, the school that thought a comic was a gagman, not an actor, and any joke that couldn't be told in one breath couldn't be funny. Kahane sprays his BBs in all directions. "In kindergarten, my kid flunked clay ... I love children, I went to school with them . . . Our dog is adopted...

Author: /time Magazine | Title: Comedians: The Polite Generation | 9/13/1963 | See Source »

...Woodwork. Artists in particular are the guardians, or victims, of the Rousseau romanticism that Snow deplores. They see themselves as the champions of the individual against the Philistines. The stance, however, is no longer true. There will always be Philistines, but right now they are hiding in the woodwork, behind the De Koonings and the Klees. If there is any limit on the surge of artistic creativity, it is imposed not by the George Babbitts but by the "Gaylord Babbitts," a name coined by Peter Viereck to denote the arbiters of taste who run in packs and judge in cliques...

Author: /time Magazine | Title: Nation: LINCOLN AND MODERN AMERICA | 5/10/1963 | See Source »

...that was particularly realistic as opposed to the stylized tradition of the time. In her role as a blind country girl, she had to grope along the wall of a cellar in which some revolutionaries had imprisoned her. Suddenly she drew back her outstretched hand; a rat from the woodwork had nibbled on her fingers. "Mr. Griffith was excited with the possibilities of a horde of rats, and photographed them covering me. But I guess the effect was too strong for a 'twenties' audience..." The sequence was one of the few Griffith had to revise before release...

Author: By Charles S. Whitman, | Title: Dorothy Gish | 3/12/1963 | See Source »

Ancient Surfaces. A great borrower and transplanter, he confesses that he often takes a detail of a building here and adds it to another there. In all his paintings there is a loving treatment of ancient surfaces: tattered plaster, ravaged brick, gnarled woodwork, scabrous paint bespeak his affection for old, well-used places and things. But sometimes Sivard gets so carried away in his kindly lampoons that there is a detail too many, and the end result is no better than a merely slick magazine cover. His most impressive paintings are from that unpainted and usually humorless terrain, Russia, which...

Author: /time Magazine | Title: Art: Fantasy in Reality | 2/15/1963 | See Source »

Rich Fare. The school is equally proud that its size (1,000 boys) allows it to offer not only rich academic fare, from poetry to physics, but also art, engineering, metalwork and woodwork. When the school produced Julius Caesar, daggers and swords were forged on the premises. Boys have built everything from lawnmowers to kitchens in the workshops. "In this school, the bright boy who wants to take up pottery, or the boy good with his hands who wants to tackle French, can do so as seriously as he likes," says Hamblin...

Author: /time Magazine | Title: Education: Second-Chance Schools | 12/7/1962 | See Source »

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