Word: wooer
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...central figures in this roundelay are a bewitchingly malign marquise (Lindsay Duncan), a good woman tempted to self-betrayal by love (Suzanne Burden), a virgin eager to surrender to ecstasy (Beatie Edney) and the highborn roue who is their sequential wooer (Alan Rickman). The essence of the roue's sexual appeal is a chilly, offhand disinterest. Neither kind nor attentive nor particularly virile, he does not so much inspire devotion as command it; he does not so much arouse ardor as compel his victims to confront their suppressed sexuality. He believes all virtue is fraud, and he delights in destroying...
...front of it. Trudeau was the sweetest of candidates, a perennial choice but a bit of a Catch-22. Fifteen years brought few political alternatives. Conservative leaders Robert Stanfield and Joe Clark were no match; what are molasses and oatmeal compared to the Jesuit-trained, Bhagavad-Gita believing wooer of Margaret, flower child and Rolling Stone groupie...
Twelfth Night drew on a number of common devices of the time. Indeed Shakespeare himself had made use of mistaken twins, a wooer by proxy in disguise, and a crucial letter and ring in his much earlier Comedy of Errors and Two Gentlemen of Verona. What sets Twelfth Night above its immediate and more remote predecessors is its great skill in combining three plots, its masterly preparation for peak scenes, its more subtle and less garish character painting, the richness of thematic overtones and undertones, and the substantial integration of sung music into its spoken music...
...exclusively fanciful ever to be emotionally vulnerable. Blanche's sister Stella (Patricia Conolly) is born to the Southern man or, all right, but we have to take her visceral need for Husband Stanley on faith. Only Philip Bosco gives a performance of perfect pitch, as the shy wooer, "Mitch," who almost marries Blanche until Stanley blurts out the story of her promiscuous past...
Back in Manhattan, complications ensue. One night of love has inflamed this 22-year-old lad, who becomes the ardent wooer of the half-smitten, half-reluctant Julie. Julie's jovially addled mother. Glenda Farrell, thinks the boy is hanging around in order to court Julie's flaming mod daughter Gretchen Corbett, who is almost 18 and as old as Eve. From here on, as in all French farces, the doors take over: who comes through which door when triggers the laughs...