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Virtually every country in the world, large and small, has an official tourism department to woo visitors to its shores. Tiny Tunisia has 24 tourism offices in 19 countries across the globe. South Africa has 10 offices on four continents. America has none, relying instead on the private sector to attract tourists. "Airlines, tour operators, hotels - they've had the responsibility of promoting America," says Henry Harteveldt, a travel industry analyst at Forrester Research in San Francisco. "The government has stayed away from these kinds of initiatives and as a result, we've lost out on travelers...

Author: /time Magazine | Title: Can a New U.S. Tourism Board Woo Visitors? | 11/14/2009 | See Source »

...Woo, a legendary Chinese film director with an impressive repertoire, has been in Hollywood for the past 17 years. In 1992, he emigrated to the U.S. to take L.A. by storm. Blockbusters like “Mission: Impossible 2,” “Face/Off,” and “Windtalkers” brought Woo a degree of fame that even his early success in China could not have predicted. After establishing himself as a prominent Hong Kong director with gritty films such as “Hard Boiled” and “A Better...

Author: By Alex C. Nunnelly, CONTRIBUTING WRITER | Title: Red Cliff | 11/13/2009 | See Source »

Through the use of intense live-action shots along with extensive yet tasteful use of CGI, Woo successfully captures the enormity of the war scenes as well as the immediacy of one-on-one combat and melee face-offs. The sheer vastness of Woo’s Chinese navy and army—with tens of thousands of ships extending past the horizon—encourages a dizzying suspension of reality. Whether witnessing enemy horses blinded by mirror-shields, naval ships destroyed by suicide fireboats, or diseased, dead soldiers floated across to the enemy’s shore to infect...

Author: By Alex C. Nunnelly, CONTRIBUTING WRITER | Title: Red Cliff | 11/13/2009 | See Source »

...what makes “Red Cliff” truly a marvel is Woo’s meticulous and surprising cinematography. Though he depicts the brutal, primitive, and rough-seamed battles of blood and violence, Woo handles the entire movie with great care. Inventive camera angles—shot from a cavalry horse’s perspective or from the tail of a dove—meet well-timed slow motion sequences. The soldiers’ dull armor and the tan sands on which they travel create a stunning contrast with the bright, multi-colored banners they carry into combat...

Author: By Alex C. Nunnelly, CONTRIBUTING WRITER | Title: Red Cliff | 11/13/2009 | See Source »

...incorporating majestic panoramas of the Chinese landscape, wise sayings of their philosophy and folklore, and harmonious music from their ancient instruments, Woo conveys with pride an important series of events in his country’s history, one unfamiliar to most Western audiences. In a dramatic departure from both his early mob movies and his American action hits, Woo’s “Red Cliff” serves as an entertaining war film set within a stirring and resonant celebration of Chinese culture...

Author: By Alex C. Nunnelly, CONTRIBUTING WRITER | Title: Red Cliff | 11/13/2009 | See Source »

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