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Word: wooings (lookup in dictionary) (lookup stats)
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...second floor of the Littauer Center for Public Administration, Oliver Hart, Furer professor of economics and chair of the economics department, watches as economics departments at competing universities woo away promising scholars with higher salary offers...

Author: By Daniel P. Mosteller and Kathryn L. Rakoczy, CRIMSON STAFF WRITERS | Title: Endowment Payouts Fall Short of University Quotas | 6/7/2001 | See Source »

...into the elevator now. You're breaking up" - is the one in which people complain about gas prices. It has become such an incessant whine that the Senate set up an entire subcommittee on how to fix the problem, taking away valuable time Senators should have spent trying to woo James Jeffords with hookers...

Author: /time Magazine | Title: Relief From Painful Gas | 6/4/2001 | See Source »

...into the elevator now. You're breaking up"--is the one in which people complain about gas prices. It has become such an incessant whine that the Senate set up an entire subcommittee on how to fix the problem, taking away valuable time Senators should have spent trying to woo James Jeffords with hookers...

Author: /time Magazine | Title: Relief from Painful Gas | 6/4/2001 | See Source »

...think. It's unfair to me too--he's so rich." Film Workshop, which he founded in 1984, quickly became the Amblin of Hong Kong. Four of its films became terrific franchises: A Better Tomorrow (the action epic that made Chow Yun-fat a superstar and John Woo a world-class auteur), A Chinese Ghost Story (a magical romance with Leslie Cheung), Swordsman (whose two sequels displayed Brigitte Lin in all her pansexual glory) and Once Upon a Time in China (which brought Hong Kong stardom...

Author: /time Magazine | Title: He Makes Movies Move | 5/14/2001 | See Source »

...Film Workshop, Tsui didn't cuddle or coddle his directors. He fired esteemed auteurs King Hu (A Touch of Zen) and Yim Ho (Homecoming) off their projects; Woo walked out after Tsui re-edited three of his films, including The Killer. "I was not a good producer," Tsui admits. "The roles of producer and director should be like coach and fighter: the coach has to tell the boxer he's strong on the left or the right, that his eye's weakening, that it's time to call it quits. Back then, I got frustrated. I never learned the difference...

Author: /time Magazine | Title: He Makes Movies Move | 5/14/2001 | See Source »

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