Word: wool
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Dates: during 1970-1979
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...incredible sense of loyalty, both to me and to Nixon." Gray and Finch helped Nixon narrowly carry California, but when the national election was lost, Gray moved to New London, Conn., where he had been stationed at the submarine base. He joined the law firm of Sui-man, Shapiro, Wool & Brennan. Gray specialized in trusts, estates and taxes; he also spent many hours without charge to close the estates of sailors who went down with the submarine Thresher in 1963. Although New London is not big league in legal circles, it took Gray six years to become a partner...
...small cloche hats pulled down to the eyebrows For evening, everything is soft and flowing in chiffon and crepe de Chine, bias cut to drape close to the body, just the thing for a moonlight tango with a gentleman in an Indian silk suit. The fabrics are natural-wool, linens, pure cotton-and difficult to care for, with a tendency to develop the rumpled badge of the thoroughly bred. "A poor man can't afford to look wrinkled," observes Lauren. "A rich...
Reese has blond hair and blue eyes. He is six feet tall and weighs 130 pounds. He was last seen wearing a blue parka, a wool flannel shirt and hiking boots...
...chasuble used in liturgical celebration developed out of everyday Greco-Roman clothing; an enveloping cloak (Latin name: casula, or little house), worn over the tunic, was adopted by the church some time after the 4th century A.D. Made of wool at first, the chasuble-with the increasing availability of silk around the 10th and 11th centuries-gradually acquired a dazzling sumptuousness. The epitome of this was opus Anglicanum, or "English work," a taxingly intricate method of embroidery that flourished in London guild shops during the 13th and 14th centuries. The Met possesses one rare example, the so-called Chichester-Constable...
...16th century Spanish Adoration of the Magi (based, probably, on an unidentified Renaissance painting) is almost too limited in technique for the painting style it simulated. But in flat pattern, Renaissance and later embroiderers could and did achieve magnificent results-sometimes lighthearted and almost naive, as in the wool stitching of flowers, fruits and leaves on a white linen 18th century French dalmatic (or tunic); more often, of laboriously achieved splendor: the peacock displaying the green silk and gold-and-silver cord eyes and rays of his tail on a 16th century French chasuble, or the coiling festoons of gold...