Word: woolfã
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...voice. Demonstrating outstanding vocal command as well as impeccable breath control, Woolf hits each note and expresses each phrase with purpose and ease, catering to the simplicity in Sophie’s character for which the score calls. Her vocal quality becomes increasingly stunning as she climbs the octaves. Woolf??s acting is also impressive, particularly in her interactions with the rest of the cast...
...Octavian, mezzo-soprano Marvosh has a solid voice, although not quite the caliber of Woolf??s or Betanski’s—made especially apparent when singing alongside either actor. Marvosh’s voice becomes a bit stiff and her vibrato asymmetrical when attempting to sustain higher pitches. Marvosh’s decisive character choices not only compensate for this minor offense, but also make her the best actor of the show...
...clearly well-trained and quite colorful. But his acting is for the most part forgettable, rarely commanding attention on stage. Such a lack of expressiveness, coupled with Kroncke’s lethargic movements, often results in his being overshadowed by more dominant presences or sounds—such as Woolf??s enrapturing voice...
...loyalty Potter recieved from her cast was built on respect for her track record. After a series of smaller projects throughout the 1980s, 1992’s “Orlando,” an adaptation of Virginia Woolf??s novel, brought Potter to the forefront of independent cinema...
...Brattle Theatre on April 1, McEwan placed the book in a long line of such novels-in-a-day, mentioning—among others—Mrs. Dalloway and Ulysses. These are bold comparisons indeed, and McEwan’s work falls a long way short of both Woolf??s and Joyce’s. In Saturday, McEwan is attempting to paint a very big picture on a very small canvas: a portrait of post-Sept. 11 England on the brink of war with Iraq, conveyed through the daily interactions of one man with his work, his family...